Designing The Application Of Bozhou Flower Opera House Carving Graphics In Culyural And Creative Derivatives

As a As a treasure of ancient architecture in China,the carved and decorated figures of the Bozhou Flower Opera House have not received the attention,excavation and research they deserve from the academic community,as their distinctive fusion of northern and southern art features,diverse subject matter and forms,subtle carving techniques,and unique colour expressions in traditional ancient architecture not only reflect the richness of regional customs and culture,but also present the characteristics of aesthetic superimposition and fusion from different periods,and have very important historical It has important historical,aesthetic and design values.However,under the influence of fastmongering,the lack of graphic language and the disorder of cultural attributes caused by the rush to design has been unable to meet the public’s urgent needs for aesthetic upgrading and product design language.The first and foremost task is to promote the integration of traditional culture with modern life.Therefore,this paper takes the Bozhou Flower Opera House carving as the object of study,and from the perspective of design science,provides an in-depth analysis of the Bozhou Flower Opera House carving,and uses modern design techniques to integrate and innovate the Bozhou Flower Opera House carving,with the aim of expanding its application in the design of cultural and creative products.This paper explains the history of the Bozhou Flower Opera House itself,revealing the background and evolution of its carvings.From a design perspective,the graphic values of the Bozhou Flower Opera House are categorised and compared,including the graphic motifs and types of composition,in order to explore the cultural and spiritual values of the graphic applications embedded in its core,and to contribute to the accumulation of cultural capital in local design.At the same time,by comparing and validating the excellent domestic cultural and creative derivatives with the existing cultural and creative products of Bozhou Huajilou,the path and method of designing cultural and creative derivatives suitable for Bozhou Huajilou is finally summarised,and the practice of transforming the derivative graphics is carried out on the basis of the systematic combing of the carved graphics of Bozhou Huajilou,in an attempt to provide new ideas and ways for the inheritance,development and innovative application of the carved graphics of Bozhou Huajilou,which becomes an enrichment of the This is a successful case of enriching the artistic language and cultural connotation of modern design.This is a successful case of enriching the artistic language and cultural connotation of modern design,and using the cultural connotation of the carved figures as an entry point for research to extract graphic symbols and integrate them with modern design methods.The design of the "Three Kingdoms Characters" and the "Hundred Fortunes with Zhen" series of themed cultural and creative products is a practical example,providing innovative ideas and values for the inheritance,development and innovative application of the Bozhou Huajilou carving.