A Study On The Spatial Communication And Revolutionary Memory Construction Of Chongqing Hongyan Revolutionary History Museum

Susan Stewart,a professor at Princeton University in the United States,once described the museum as a place capable of "resisting the persecution of space-time compression." The evolution of time and space left dazzling civilization in the museum space,making it a carrying history and memory.The natural."Hongyan" is a representative period of revolutionary history during the Chinese Revolution,and the "Hongyan Spirit" born from it is also a symbol of national spirit that inspires generations to forge ahead,and museums naturally become the red of construction and inheritance.An important space for revolutionary memory.This article intends to incorporate the study of space and memory into the field of news communication,using two qualitative research methods,participatory observation and in-depth interviews to explore the museum's How to construct revolutionary memory in the process of space dissemination,the author divides the construction relationship between museum space and memory into three levels,which constitute the framework of this article.Specifically,this article mainly includes the following: The introduction part focuses on the presentation of research questions,theoretical basis,research significance and research methods.The logical starting point for the study of this article is to regard the memory space of the museum itself as a "media of communication",and its foothold lies in "memory".Therefore,through the combing of related documents in the three aspects of "space theory","media and space",and "museum and memory",we can find the theoretical support and practical feasibility of space as a medium to participate in the construction of memory.The first chapter explores the physical characteristics of the museum's physical space and its communication significance,focusing on the presentation of the external space and the internal exhibition space,and expounds on the museum's spatial location distribution,architectural landscape creation,and spatial narrative methods.The purpose of setting scenes is to analyze the memory information transmitted by physical space media,so as to analyze the material space presented by the museum and the memory metaphors behind it.The second chapter focuses on the spiritual space of the museum.It mainly analyzes how the three aspects of the internal communication practice,the ritual space,and the space production of the mass media affect the generation of the museum's spiritual space and the construction of memory,and how visitors construct it in the museum Revolutionary imagination is unfolded in the spiritual space to obtain a spiritual experience beyond the physical space and strengthen the revolutionary memory learned in concrete practice.The third chapter mainly analyzes the social space communication of museums and the social construction process of revolutionary memory from the dynamic perspective of the outward flow of museum space and social development.The focus is on two levels of content: First,how the museum breaks the solidified space constraints to expand its own social space;second,how social relations and social development changes affect the museum's spatial production and memory construction methods.Finally,in the concluding part,it summarized the research problems and findings of this article,reflected on the limitations and deficiencies of this research,and thought about the research path worthy of further exploration in the future.