A Study On The Theory Of "Vivid" Painting In Qing Dynasty

Painting "vivid" theory developed to the Qing Dynasty,showing a more complicated side.And the complexity is reflected in the hierarchy of "vivid" theory presented through the evolution of The Times.On the one hand,qing dynasty painters and theorists followed the theory of "vivid spirit" in previous dynasties and expounded on it.On the other hand,the expression of "vivid" theory by painters and theorists is different from that of the previous generation,and they reflect on it in different degrees.At the same time,considering the two trends of preservation and reform in the Background of the Qing Dynasty,the theory of "vivid painting" in the Qing Dynasty also showed two academic attitudes of copying ancient history and innovation,and carried out abundant interpretations of the theory of "vivid painting" from different perspectives.Based on the two trends,the framework of "vivid" theory is outlined,and the main purpose of this study is established within the framework,to explore the background and characteristics of "vivid" theory in qing Dynasty,and to sort out the change and invariance of "vivid" theory in painting theory and painting.Secondly,the specific research methods of this paper are as follows.Firstly,this paper analyzes the theoretical structure characteristics of the "vivid" theory of Qing painting influenced by the three backgrounds of inheritance and innovation,the context of painting theory under the concept of pluralism and truth-seeking,and the artistic concept of elegance and vulgarities.At the same time,through the way of returning to the literature to sort out and summarize,in-depth analysis of the relevant "vivid" painting theory content,summed up in different painting "vivid" theory evolution characteristics,at the same time,using painting works to supplement the explanation,all-round exploration of the Qing Dynasty painting "vivid" theory presented by the system.Finally,it discusses the influence of the "vivid" theory of painting after the Qing Dynasty,makes a brief exposition of the core painters and paintings,and reflects on the inspiration of the "vivid" theory of Painting in the Qing Dynasty to the creation of later generations.Therefore,through the analysis and arrangement,the theory of "vivid" painting in the Qing Dynasty has indeed appeared more abundant and systematic elaboration,but also for the painters after the Qing Dynasty in the creation of practice has the characteristics of continuity.