| In the background of the introduction of western culture and the Chinese trade activities of East India Company, the folk form of Chinese and western porcelain painting in Qing Dynasty developed rapidly. And its mainly theme expressions are European style and its Chinesization. The significant characteristics of the folk forms are the different form feature, the changeable perspective, the vagarious color, the novel composition and so on. Compared to the political nature in porcelain painting for palaces and arbitrary feature in literati porcelain painting, the folk porcelain painting is more commercial. In the words, the origin and development of Chinese and western porcelain painting in Qing Dynasty are to meet the needs of market. On the basis of adaptation to the European market performance, the painting style of folk patterns formed, with the integration of Chinese traditional folk auspicious consciousness. |