Research On The Origin Relationship Between Literati Painting And Literati Garden

As two unique cultural phenomena in Chinese art system,literati painting and literati garden have a profound origin relationship.In this paper,the origin relationship is further divided into "narrow sense" and "broad sense".The study of the origin relationship in narrow sense focuses on the direct origin relationship between literati painting and literati garden,and the background of the times falls in the period of Wei,Jin,southern and Northern Dynasties.The generalized origin relationship tries to break through the one-way dual framework composed of "literati painting" and "literati garden",and puts the two into practice The "Literati Spirit" behind it is included,and a multi-dimensional ternary analysis framework is constructed.With the "Literati Spirit" as the link,the indirect relationship between "literati painting" and "literati garden" is inherited.Therefore,this paper is divided into two chapters.The first chapter is the study of the relationship between literati painting and literati garden in a narrow sense,focusing on the direct relationship between the two.From a narrow point of view,the earliest intersection of traditional Chinese painting and classical garden can be focused on the Wei,Jin,southern and Northern Dynasties.Among them,the relationship between literati garden with strong humanistic color and landscape painting is the most close,which also forms the influence of the earliest literati painting on literati garden.During this period,thanks to the rise of painting theory and the isomorphic relationship between literati painting and literati garden,literati garden has been greatly developed.The painting theory promoted the literati painting to the height of "Tao",and the literati garden with images as "utensils" inherited the influence from "Tao",which constituted the origin of the unidirectional degree from literati painting to literati garden in this period.The second part is a study of the relationship between literati paintings and literati gardens in a broad sense.Taking "Literati Spirit" as the starting point,through an in-depth analysis of the main bearing body of Literati Spirit,that is,literati officials and literati officials and gentry,a new angle of understanding the steady-state operation of ancient Chinese society is constructed,and then the origin and evolution texture of Literati Spirit is clarified,and "literati essence" is put forward The view of "God" is different from that of "Literati Spirit"."Literati Spirit" is a rebellion against the traditional "Literati Spirit",and further summarizes the core points of "Literati Spirit".On this basis,the "spillover effect" theory of Literati Spirit and the conceptual model of "historical fold characteristics" are put forward.Based on the perspective of generalized "origin relationship",this paper defines the prosperous development period of literati painting in the Song Dynasty,and the prosperous development period of literati garden in the middle and late Ming Dynasty.Through the analysis of the characteristics of social and historical folds in the Song Dynasty and the middle and late Ming Dynasty,it finds the social and historical reasons for the deep influence of Literati Spirit on painting and garden in the Song Dynasty and the middle and late Ming Dynasty respectively.Under the guidance of "Literati Spirit",the complex game texture behind the special cultural and artistic phenomena under the specific historical situation is gradually unfolded.From a more macro perspective and through the link of "Literati Spirit",the indirect and trans temporal relationship between literati paintings and literati gardens is examined.The innovation of this paper includes the following three aspects:1.Concept innovation: construct a conceptual framework of "narrow sense" and "broad sense" to explore the relationship between literati painting and literati garden.2.Theoretical innovation: The first part puts forward the theory of "isomorphism",the second part puts forward the theory of "spillover effect" and "historical fold" model of Literati Spirit,which are respectively used to explain the narrow and broad origin relationship between literati painting and literati garden.3.Method Innovation: The spirit of literati is included in the discussion,and the analysis framework of ternary subject is constructed to realize the transformation from "narrow sense" to "broad sense".The full text is about 100000 words,including about 94000 words in the text,145 pictures and 7 charts.