The Influence Of Ancient Jiangxi Painting On The Construction Of Jiangxi Traditional Literati Garden

Jiangxi painting and Jiangxi ancient literati garden are in the same vein,they have the common traditional culture and philosophical thought foundation.Based on Chinese traditional aesthetics,this paper takes Jiangxi painting as the breakthrough point,probes into the characteristics of Jiangxi traditional literati garden painting,and summarizes the influence of Jiangxi painting aesthetic thought on Jiangxi traditional literati garden construction.This paper studies the influence of Jiangxi painting on its traditional literati’s garden construction by means of literature induction,field investigation and comprehensive analysis.Firstly,it explores the development of Jiangxi traditional literati’s garden and Jiangxi’s painting in history and the process of their mutual fusion based on the historical perspective;secondly,it finds the interworking between them based on the comparison of their creative thinking,creative style,creative technique and creative theory;Finally,this paper analyzes the application of rock,water,plants and architectural elements in Jiangxi traditional literati gardens.The following conclusions were drawn:(1)Both Jiangxi painting and Jiangxi traditional literati gardens are derived from nature and higher than nature,and have the same ideological connotation and philosophical basis.In the process of development,they follow the development law of "painting into the garden,because of painting into the scene ",the internal relationship between gardening theory and painting theory is also gradually produced,and the common content is increasing.The overlapping of Jiangxi painters and gardeners makes the purpose of painting creation and garden construction identical,and the cultivation of their creators has unity.(2)Drawing techniques and aesthetic ideas of Jiangxi painting are applied to the construction of Jiangxi literati gardens.On the one hand,they directly guide the construction of Jiangxi traditional literati gardens,and use the "panoramic landscape of view of" panoramic landscape "composition and the continuous landscape composition of"scattered point perspective "to step-by-step landscape,and complete the construction of landscape space entity,which can not only effectively complete the scene reproduction of painting,but also realize the basic principles of" habitable,swamable,promising and feasible "into the painting smoothly;On the other hand,based on the creative practice of Jiangxi painting,the creators also completed the experience of" unobstructed God "and"lying and swimming "in the garden,and the participation of painters in the process of gardening also made the relationship between the two sides increasingly close.(3)The mountain stone aesthetics in Jiangxi painting provides the mountain stone landscape method of "building the garden because of the mountain,constructing the room to see the mountain,artificial setting the mountain ",defines the boundary for the choice of the garden stone,and provides the modeling reference and aesthetic taste for the mountain stone type in the garden;Jiangxi painting is closely related to the layout,form and species of plants in Jiangxi literati gardens.The selection of plant species usually takes the visual aesthetic interest of painting as a reference.The four seasons characteristics of plants in painting provide a reference for the collocation of four seasons plants in gardens.