Research On The Concept Of "painting" In Chinese Garden Aesthetics

Chinese art of garden has its unique in China. It has a close relationship with the art of painting,and has high aesthetic value. There are many similarities between landscape painting and gaeden. The concept of "picturesque" is a microcosm of the aesthetic characteristics, the purpose of this paper is to explore the aesthetic characteristics of "picturesque" and the concept of "picturesque" were reviewed.Then,the relative to landscape painting, landscape painting aesthetic characteristic, manifests in landscapes, flowers, Pavilion of the aesthetic diversity, the accumulation of the garden landscape, plants and buildings is presented in this paper. Analysis of the influence of traditional art of painting and its inspiration. This paper is divided into four parts, discusses the source of "picturesque"; aesthetic characteristics of the relationship between the gardens and painting; "picturesque" and "picturesque", to the modern garden construction brought inspiration from four aspects. The introduction part introduces the research background, significance, domestic and foreign literature review, research ideas and research methods as well as the innovations and deficiencies of the paper.The first chapter discusses the connotation and ideal of "art". The first section first discusses the aesthetic connotation of "picturesque", from "to" analysis, analyzes the artistic creation and appreciation "picturesque"; second section describes the "picturesque" landscape painting of the biggest form, of literati painting, landscape painting and flower and bird painting and flower and bird painting is most closely related. The analysis of the expression of literati painting ideas, plans Wen Zhenheng, formed a set of aesthetic standard from the landscape, the standard from the literati's living environment, the first expression and canvas. The third part is on the literati painting aesthetic standards, in the garden how willing, gardens, two-dimensional images of three-dimensional is the key to the design of classical gardens, imitation of nature is possible, because it follows the laws of nature, so in different art space can express the same aesthetic concept. The fourth part analyzes the influence of the concept of painting, literati garden landscape and garden-ideal combination.The second chapter discusses the concept of "landscape painting and landscape painting". Firstly, it discussed the origin and development of the word "painting", "the word" painting "by the development of the art book," landscape painting "as a reference, in calligraphy and painting with ink. "Charm, landscape painting" the details of the overall layout of the building also has all of the second section discusses the different methods, but equally satisfactory results; and landscape design and plane design theory, from the local construction, overall construction as a starting point, artistic conception of art structure interaction of thought and art, both of which is the reality of the ideal product. The author has a unique feel, in the same way, emotional expression is not the same. Section four painting and landscape often "pattern" interlinked, are from the deities of ancestral home of the imagination, and Taoism of the birth of the hermit thought until the Ming Dynasty "gardening", a book, although written in landscape architecture technique, but has a traditional thought.In the third chapter "Yuanye" a book as a clue, analysis of the aesthetic characteristics of the "picturesque" landscape. The first part is about the interest of the rockery garden, from the original works, and the architectural characteristics of the mountain, mountain, cliff mountain Museum as an example to introduce the false landscape; water and painting design and the "field" of narrative art in the garden of water in the analysis method of concept of third Garden Plant Water Garden Music Festival of the second part; as a combination of factors, this part of the "field" and "xianqingouji" plants, plants in the narrative and analysis of practical and ornamental garden; fourth garden is a natural beauty and social beauty, is the key point in the pavilion garden view and view, the introduction of "Pavilion" "garden" as an example, the "1000 sea" and "xianqingouji" in the aesthetic characteristics of "entertainment".The fourth chapter, the first chapter is the three chapter, analyzes the modern concept of "painting", and has different values. First festival of modern western ideological influence on the landscape, pay attention to of space layout and liquidity and practicability of the first and most important position; second section of traditional literati aesthetic ideas should be retained and carry forward thinking, and now to inherit and develop the thought.