Architectural ridge decorations are components that have both decorative and practical functions.Through architectural ridge decorations,you can learn about the development of tile making technology and understand the cultural connotation behind the decorative patterns.This article mainly studies the architectural ridge decorations of the Tang and Song Dynasties.The upper limit of the age is about the early 7th century,and the lower limit is about the middle of the 12 th century.It is divided into four parts.The first part is introduction.It mainly introduces the reason for the topic selection,research method and purpose of the thesis.Summarizes the main results and existing shortcomings of the previous research on architectural ridge decoration,and clarifies the research purpose of this article on this basis.The second part,archaeological discoveries and typological research.It is divided into Chiwei,Shoutou,Jitouwa,Taoshou,Dunshou,Pinjia.Typical specimens are selected for typological investigation to clarify the development context,and conduct an overview and summary.The third part,research on related issues.In the discussion of the production and use of architectural ridges in the Tang and Song Dynasties,it is believed that high-grade buildings usually adopt in-situ firing to shorten the construction period;the hierarchical nature of architectural ridges is reflected in the material and shape.The typical installation methods of ridge decorations are discussed.The Chiwei is divided into four typical installation methods: Tang Zhaoling style,Tang Huaqing palace style,Bohai Xigu city style,and unified Xinluo style.The Chiwen is divided into Tang Xuanzong Tailing style,Xixia style,There are three typical ways of Dule Temple style in Jixian County;it is believed that there are four ways to use the spine tile: Zhengji,Chuiji,Qiangji,angle beam or Chuantou.Deep-level academic interpretation of the cultural connotations behind the Chiwei and the Chiwen,and clarify the propositions of the Chiwei "bird shape theory" and the Chiwen "(Capricorn)fish shape theory".The concepts of Tang style and Song style from the perspective of architectural ridge decorations are proposed,The overall shape of the Tang-style ridge decoration is harmonious and unified,and the shape is simple and heavy;the overall style of the Song-style ridge decoration is exquisite and rich,and the shape is colorful..The artistic conception of ridge ornaments in the Tang Dynasty is mainly to imitate animal images.From the perspective of the symbolic meaning of the patterns,the tiger and dragon patterns are not only related to political power and royal power,but also have a deterrent effect;the pattern represented by the phoenix is auspicious The symbol of,has a profound cultural foundation;the Capricorn fish pattern used from the beginning of the Tang dynasty to the Song dynasty has the meaning of fire prevention. |