Research On The Dissemination Of Non-fiction Writing In The New Media Platform

In the increasingly fragmented and virtualized information environment,the thirst for truth,the concern for ordinary individuals and the perceptual needs of the complex and changing times make non-fiction writing,a literary,authentic and storytelling style,sweep the Chinese literary circles and the news industry since 2010,and present a new look in the new media.That is to say,more and more ordinary people begin to write as witnesses or witnesses by virtue of the empowerment of technology,which made the True Story Project,a new media platform that carries the general public non-fiction writing concept,emerged.Different from the non-fiction writing platform of the current professional media category,the UGC-style non-fiction production mode of the True Story Project,the propagation path and form of the new media end,and the commercial exploration of non-fiction content make it great social influence and also become the object of continuous attention and research in the academic circleThis paper chooses the True Stoiy Project as the research object,mainly using the methods of text analysis,questionnaires and interviews,to explore how non-fiction works based on UGC mode can be produced and disseminated under the new media platform,the corresponding portraits of the audience and their attitudes towards non-fiction writing.This article is divided into five chapters.The first chapter is the introduction,which discusses the research background,significance,problems and objects,research methods,and clarifies the origin and development of non-fiction writing in China and related literature research.The chapter 2 takes the content production of the True Story Project as an example,and studies its production concept,writing subject and platform model from various angles.It leads to the concept of civilian non-fiction and compares the similarities and differences of non-fiction manuscripts written by professional groups such as media reporters and non-fiction writers.And the paper analyzes the topic selection and theme of non-fiction works on the basis of the two-year tweet of the True Story Project.The chapter 3 presents the multi-channel and all-media communication mode and the platform and socialization of the T,rue Story Project on the new media from the perspective of communication.Chapter 4 is the author's questionnaire survey in the non-fictional audiences with a total base on 1,632,and in-depth interviews with individual non-fictional audiences,so as to analyze the audiences of non-fiction writing on the new media,and discuss their attitude and cognition of non-fiction writing,information preferences,and portraits of non-fictional audiences.The last chapter is a discussion and reflection of non-fiction writing based on the new media platform,the trend of civilian non-fiction writing,and the innovation and transformation brought by the non-fiction writing to the mass communication industry from the perspective of standardization and non-standardization of cultural industry.