| This article originated explore causes of the problem without distinction between traditional Chinese garden and landscape painting. In the history of the Chinese nation among artistic practice, Traditional Chinese Garden and Landscape first intersection in Southern and Northern Dynasties. In the Southern and Northern Dynasties type garden, the garden and the landscape again Scholars most closely. Based on the above two points, the paper investigated the Wei and Jin historical documents, examine the relationship between the two, relatively conclusion.Content of this paper is the specific historical issues related to history, philosophy, aesthetics and other issues. Wei and Jin Dynasties philosophy each have their own system, paper selects unified perspective, standing materialistic point of view, the use of Mr. Li Zehou practical aesthetic theory to unify the various evaluation and lessons Wei and Jin Dynasties thought.The main contents of this paper include:First, the Wei and Jin history, philosophy background. Second, build the Wei and Jin Landscape Aesthetic Category. Third, the Wei and Jin Dynasties garden research. Fourth, the Wei, Jin and Landscape Research. Because of the age, physical information scarce, paper literature as the main research method.This article concludes:The Scholar between garden and landscape a direct relationship, but also an indirect relationship. First, the main body of the Wei, Jin Wei and Jin Dynasties same practice landscape painting Landscape with the same aesthetic category, interaction techniques and painting theory garden, which is a direct relationship between the two. Both in Weijin Zhe Ideas fierce collision background, simultaneous development in a unified aesthetics in, which explains both isomorphic relationship. In fact Wei and Jin Dynasties garden and landscape are embodied in the Wei, Jin and Landscape Aesthetics different areas. Second, the indirect relationship Wei Jin Wei and Jin Dynasties on gardens and landscape complex, by a third party to influence both.1, the driving force for the liberation of Wei Jin Metaphysics aesthetics and humanity,2, Wei and Jin Hyun Buddha improve integration of the natural landscape to "Tao" level 3, and then the introduction of Buddhism to enrich the Wei, Jin and artistic practice,4 Wei Jin Wei and Jin philosophical construct landscape aesthetic categories, these factors also affect Wei and Jin Dynasties garden and landscape painting, the two closely linked, these are indirect links between the two.Significance of this study:through the development process of both elegant Southern and Northern Dynasties, both find a perfect harmony of little clues, hoping to reach the development process of Chinese classical garden made more aware of these. And for a correct understanding of the aesthetic origins of traditional Chinese garden, carry forward Chinese traditional culture, there is a helpful role. |