Research On The Reality TV Shows In China Under The Horizon Of Reception Aesthetics

In the 50’s of last century, a reality TV show since the date of birth will be close to the documentary realism, rich and colorful form and dramatic narrative way to win a large number of loyal audience, a short period of time set off a global hit frenzy, occupy the gold files each big television. China began to appear the true sense of reality TV show from around 2000, a short period of ten years obtained the rapid development, especially in recent years, "China good voice", "I’m the singer", "run" and other columns brothers continued unpopular, earn enough audience eyeball. However, can not be ignored is the reality TV program in our country already entered the bottleneck period, homogenization serious lack of internal innovation ability, lack of understanding of local culture and other issues have emerged and become a huge obstacle restricting the further rapid development.This article from the aesthetic perspective, the integrated use of literature, video playback, logical analysis and case analysis and other methods, based on full course of research, the development of China’s reality show status, classification and characteristics, to our profound aesthetic based on inside information, in-depth analysis of its aesthetic expression, including social custom beauty, characters of beauty and vocal beauty of picture etc.. Thus to find the key factors restricting the development of China’s reality show, and to "find the beauty of Chinese Tang Han Feng Yun", "deformation meter", "I am a singer" as an example from the aesthetics of reception of exploring the prospects for its development, mainly the "rooted in local culture beauty", "conform to the social development the United States", "tend to Seiko innovative beauty".