Research On Love Observation Reality Show From The Perspective Of Reception Aesthetics

In recent years,love observation reality show have emerged as a new type of program.It breaks the traditional program of slow variety and provides new production ideas for the continuous development of slow variety.With the continuous improvement of the audience's status,the creation of the audience as the center has become a norm in reality TV shows.At this stage,research on love observation reality show focuses on narratives and innovative paths,and there are only a handful of studies from the perspective of the audience.The Reception Aesthetic accepted by the aesthetics focuses on the interaction of readers and texts,which coincides with the current TV program production concept of paying attention to the audience,and provides theoretical support for the research of love observation reality show from the perspective of the audience.Based on this,this article takes the Reception Aesthetics as the theoretical basis,according to the thinking of the interaction between the readers of the reception aesthetics and the text,combined with the multidisciplinary knowledge of audience psychology,and uses text analysis and in-depth interviews to research love observation reality show from the two interactive dimensions of content production and audience acceptance and explores the aesthetic value and interaction with the audience of the reality show of love observation.The article mainly analyzes from four aspects: The first chapter mainly summarizes the love observation reality show,discusses and clarifies the definition of the love observation reality show,clarifies the research scope,and secondly reviews the development and evolution of the love observation reality show in China.It has laid the foundation for subsequent research.The second chapter starts from the role of the audience in the creation of the program,combined with the interview with the director of the program group,believes that the program takes the audience as the starting point in the topic selection and planning,and fully meets the needs of the audience in the theme setting,topic selection and link arrangement;In the selection of characters,whether they are love guests or observers,they are guided by the preferences of the audience;in the final text presentation,in order to achieve the interaction between the audience and the program,the program sets up a calling structure to help the audience complete the meaning in the process of interacting with the program text of generation.The third chapter is based on the reaction of the program to the audience.On the basis of the audience interview,it is believed that the program not only meets the audience's directional expectations for the program,but the innovative expectations brought by the program also activates the audience's expectation horizon and encourages them to watch the program.After that,a new aesthetic experience is formed.The fourth chapter looks at the shortcomings of the love observation reality show in terms of program innovation,space arrangement and commercial implantation from a critical perspective,and suggests that the program should focus on the balance between entertainment and commerciality in the future development process.Enhance the reality and space rationality of the program,and achieve differentiated competition between programs on the basis of observing peeping ethics.