Landscape Aesthetics And Landscape Art In The Six Dynasties

Landscape is the main indicator of Chinese gardening, almost no Park without hill, no Park without water. In the same cradle of the Chinese civilization ,landscape and garden breed, development, acceptable to the impact of Chinese nation psychological and the cultural accumulation, with the aesthetic blend Infiltration course. Late Han Dynasty era, garden art and aesthetic landscape have a leap in development, the natural landscape jumped from the moral Figure, started as an independent aesthetic object; garden art not only in terms of types with great abundance, besides the royal garden, there are garden of scholars,Buddhist, and other new types of gardens, in nature there is still a major leap: Han dynasty focus on the meet to the park owner's material needs, in the Wei and Jin dynasty , Park as the main character cultivation, and the spirit homes of the souls. From the material aspects of this to the shift in spirit and distillation is the main features and value of the Wei and Jin Dynasties garden. Chinese classical garden's landscape aesthetic theme,pleasurable feelings for the inevitable result of the unique ethos and artistic style, remarkable and gradually established. This paper presents the Six Dynasties garden art of "landscape aesthetic qualities" and the development process how the two closely integrated, to grasp the LiuChao's characteristics of the garden, thus pushing know Dynasty garden extent of the development and the basic outlook , and know the it's position in the history of the development of Chinese gardens.