| The Wei, Jin and Southern and Northern Dynasties in Chinese history is a turbulentperiod of history, experience a very long time, but one country off against frequentchange of frequent changes of dynasties, the people of the common people miserable.This is the great era of integration and a variety of art theory, painting works of art ofthis period has made brilliant achievements, the emergence of a large number ofwell-known painter Gu Kai Zong Bing its theoretical writings such as the "Guestsscale theory painting","Pingnan On the painting","Family Instructions On Art,"Wei Jinsheng stream draw praise "," state painting in mind "," old paintings productsrecorded "," continued paintings and order "," picture book ","painting Yuntaishanmind","Drawing Landscape" Syria painting,"Landscape turquoise grid of11worksof painting theory.This article explores the Wei, Jin and Southern and Northern Dynasties paintingtheory Future Landscape Architecture. Find contact and link of the painting onChinese classical gardens, exploring both deep-rooted relations. First, the Southernand Northern Dynasties painting theory a comprehensive combing and translation,and secondly, of artistic theory analysis of landscape perspective of humanisticconcept, aesthetics, landscape view in three directions. Finally, it is summed up thepainting theory a classical garden relations with China in three areas and far-reachingimpact on the formation and development of the Chinese aesthetic tradition of the Wei,Jin and Southern and Northern Dynasties.Gu Kai, Zong Bing and Wang Wei landscape theory, Sheikh "Six On" in the historyof Chinese aesthetics important position, painting and garden construction of Chineseclassical gardens during the full performance of the aesthetic meaning and tendenciesof the Southern and Northern Dynasties, has laid a solid foundation for the formationof the theory of Chinese landscape, has a profound effect on the art of painting and itsdevelopment of gardens. |
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