Xinjiang Kashigar Uygur Enchases Craft Flower Decoration Features Of Wooden Case Study

The Kashi, Xinjiang Uygur mosaics flowers box-is the Xinjiang Uygurtraditional handicrafts, Xinjiang Uygur unique daily necessities. But currently studiesonly stay in the simple understanding of it, but no detailed study of its decorativefeatures. This article as a starting point mainly decorative features of Kashi, XinjiangUygur mosaics flowers box for basic research, and tried on the basis of this study, themosaics of flower boxes of Kashi, Xinjiang Uygur mosaics and other areas ofXinjiang Uygur flowers box decorative feature comparison, which broadens theoverall vision of the research, this article has a certain significance, certaininformation is also provided on the Xinjiang Arts and Crafts basic research.This thesis takes Kashi, Xinjiang Uygur mosaics flowers box decorative featuresas the main object, based on the collected by author in different areas of Xinjiangflower box first hand information, to collate and classified by region, the productionprocess; and systematically introduces the production process of the existingXinjiang Uygur different kinds of flowers box; And then focus on a specific analysison the basis of Kashi, Xinjiang Uygur mosaics flowers box decorative features;Carryon a a comparative analysis and research for Kashi, Xinjiang Uygur mosaics flowersboxes and other parts of Xinjiang Uygur mosaics flowers box art features, to seekthe similarities and differences.The thesis is divided into five chapters; first chapter is an introduction; secondchapter mainly take the background of the Xinjiang Uygur mosaics flowers box arecognization, To sort out the three sources of flowers box informtion which isprovided by crafts man, Do a detailed sort out Focus on the Russian sources theoryof three sources theory, to the relationship between the Kashi, Xinjiang Uygurmosaics flowers box and Russian; The third chapter describes the types andcraftsmanship of the Xinjiang Uygur mosaics flowers box and to sort out productionprocess focus on Kashi, Xinjiang Uygur mosaics flowers box,and pave the way forfifth chapter so that make a coparison for Kashi, Xinjiang Uygur mosaics flowersboxes and other regions mosaics flowers box, The fourth chapter mainly study thedecorative features of the Xinjiang Uygur mosaics flowers box and arrived at aconclusion that decotation are mainly distributed in the box cover and the box bodyand analyzed and summarized decorative patterns of precipitation,to presents itsunique decorative features in The most direct and visual way; The fifth chapter bycomparing the Kashi, Xinjiang Uygur mosaics flowers boxes and other parts ofXinjiang Uygur mosaics flowers boxes of various process, we can see the differentflowers box which belong to different parts of Xinjiang,it`s production process anddecorative patterns are different, To form a unique artistic characteristics of Uygurmosaics flowers box under different circumstances,and The Kashi, Xinjiang Uygurmosaics flowers boxes are more rational and abstract.Through the above analysis and research can be drawn: Kashi, Xinjiang Uygurmosaics flowers box is likely to be evolved by the Russian flowers box, althoughboth have some similarities and differences in the shapes and decorative features, butthe overall artistic characteristics, both of which still have a lot of similarities; Kashi, Xinjiang Uygur mosaics flowers box in the long-term development, has formed itsown unique artistic style, bursting out with a unique artistic charm, in Xinjiang folkarts and crafts with a certaincultural and artistic value.