| Shenzhen is the forefront of China’s reform and opening up,and it is also a new immigrant city with hihly developed private economy.Although the city’s own cultural heritage is not profound,the demand for folk culture driven by economic development is rising day by day,which makes the non-state-owned museums in Shenzhen get unprecedented rapid development.By the end of 2021,there have been41 non-state-owned museums in Shenzhen,accounting for 69.49%,and they have become an important part of the museum system in Shenzhen,ranking among the top in the country in terms of quantity and quality.Among them,there are three national second-class museums and third-class museums opening for free.They are typical examples of the development of non-state-owned museums in China.As an important innovative city in China and the center of humanistic bay area,the development of non-state-owned museums in Shenzhen has unique research value.Its development history,size,living status and existing problems are all worthy of indepth study,and the important experience in development is also worth summarizing.Firstly,through the investigation and analysis of the present situation and types of nonstate-owned museums in Shenzhen and the comparative study with other museum cities,this thesis sorts out the development,existing problems and achievements of non-stateowned museums in Shenzhen in the past 20 years;Secondly,it makes a detailed investigation and study on Shenzhen Jinshi Art Museum,Shenzhen Fanya Art Museum and Shenzhen Hechangyuan Museum,and concludes that Shenzhen’s non-state-owned museums have strong academic characteristics,international vision and strong collection strength,which distinguish Shenzhen from other cities.Thirdly,analyze the value and function of non-state-owned museums in Shenzhen from many angles,and explore its development strategies.Through these three aspects,it reflects the overall situation of non-state-owned museums in Shenzhen.The vigorous development of non-state-owned museums in Shenzhen is the result of the joint efforts of the central government,local governments,social institutions and founders under the background of Socialism with Chinese characteristics in the new era,which reflects Shenzhen’s emphasis on the construction of urban spiritual civilization and public cultural services,and also reflects the museum founders’ high cultural consciousness and urban identity,as well as their profound museum feelings and social mission.Therefore,the high-quality development of non-state-owned museums in Shenzhen has its unique social value and humanistic value.In-depth discussion and research will help to find a "Shenzhen plan" for the sustainable development of nonstate-owned museums in China. |