Narrative Research On Textile And Apparel Exhibitions In The China Museum(2016 ~ 2022)

Textile and apparel cultural relics are an important part of museum collections and a symbol of traditional Chinese culture.As the carriers of traditional handicraft skills and national culture,textile and apparel cultural relics have distinct national and regional characteristics and obviously effective cultural recording function is particularly obvious.Exhibition is an important means for museums to reconstruct and display culture,as well as one of the main ways for textile and apparel cultural relics to "appear" in modern society.The study and practice of museum exhibition narration have broadened the application of theories from other disciplines in museums and made museums a more inclusive and diversified public cultural space.First of all,based on the investigation of 41 textile and apparel exhibitions in eight provinces and municipalities in China from 2016 to2022,this paper summarizes the current status of such exhibitions in terms of exhibit content,exhibition structure,and exhibition form and puts forward three solvable predicaments: "asynchronous emotional resonance","fettered narrative perspective" and "restricted exhibition design".Secondly,on the basis of museology theory,the introduction of narratology theory,combined with the actual exhibition,analyzes the selection and construction of themes,perspective switching,and form design.Thirdly,focusing on the life history of "objects(exhibits)",discuss the dual interpretation of their original social context in the exhibition narrative scene.Combined with the exhibition,the experience construction of the audience in the exhibition space is deeply discussed so as to present the memory construction between the text symbol system and the audience experience.Finally,it summarizes the narrative characteristics of textile and clothing exhibitions with emotional connection and dialogue mechanisms and looks forward to three development directions in the future: "advancing towards the direction of a full heritage view","establishing the local domain and viewing the world" and "the third space of cultural inheritance".In this way,the past,present,and future of special exhibitions of intangible cultural heritage can be glimpsed.