Wan Shouqi’s Calligraphy Research

This article is divided into four parts: an overview of Wan Shouqi,a test of communication between calligraphy and painting,calligraphy style and his calligraphy thoughts.In the first part,through sorting out Wan Shouqi’s family history,life and Wan Shouqi’s calligraphy origins,analyzing Wan Shouqi’s calligraphy style from learning and mentoring to form a rationale.The second part,through Wan Shouqi’s calligraphy and painting,sings and sings with friends,and prying into Wan Shouqi’s survivors’ mentality.In the third part,through a detailed analysis of Wan Shouqi’s calligraphy works,he analyzes the characteristics of Wan Shouqi’s calligraphy art.Wan Shouqi is good at lower-case and concurrently running script.The scriptures of the regular script belonged to the Wei and Jin Dynasties and blended into the Tang law,showing a kind of vigor and vigor;especially in the later years,the "Diamond Sutra" combined the Confucian doctrine of the mean,the Taoist method of nature and the Buddhist philosophy of Zen Buddhism.As a whole,truly achieve the realm of harmony between man and nature,and the realm of the old and the old.He has learned a lot in running script,especially fond of Wang Xizhi’s "Lanting Preface",and comprehended Mi Fu’s method of running script in Mi’s "Lanting",so that his running script has both Wang Xizhi’s implicit connotation and Mi Fu’s chic and elegant;to teacher Chen Jiru The style of calligraphy is inherited and absorbed,advocating elegance and elegance,and embracing beauty.Compared with Dong Qichang,who is also good at using light ink,in addition to the pursuit of plainness and ease,there is more of a Confucian gentleman’s iron bone.Wan Shouqi learned the law of Lu Gong and truly achieved the highest state of "like the words,like the people".His loyalty to the old country and not succumbing to the Qing dynasty is vividly expressed in calligraphy.The third section makes a reasonable and fair positioning of the achievements and limitations of Wan Shouqi’s calligraphy.The fourth part analyzes Wan Shouqi’s calligraphy and calligraphy inscriptions,poems,and ink marks,and extracts Wan Shouqi’s calligraphy as an apprentice,bone and nature,calligraphy and calligraphy,calligraphy and calligraphy have the same origin,calligraphy and printing are connected,and good ink is required for writing.Ideas.The study of Wan Shouqi’s calligraphy must be comprehensively analyzed from many aspects.This article takes the study of Wan Shouqi’s calligraphy as the starting point,and combines history,poetry and literature,calligraphy and calligraphy inscriptions and other angles to comprehensively explain Wan Shouqi’s calligraphy.