A Stylized Study On The Patterns Of The Lintel Boards Of Huizhou Ancient Beds In The Qing Dynasty

In the Qing Dynasty,Huizhou merchants,as communicators of different regional cultures,with the expansion of their business scope,while continuously refining and integrating other regional cultural elements,created the prosperity of Huizhou art by reinvesting in culture and education.In the context of the expansion of the Huizhou cultural circle from one prefecture and six counties in Huizhou to a gathering place for business,as an important component of Huizhou culture,the three-carving art of Huizhou,the shape,structure and decorative connotation of Huizhou architecture and its attached wooden components are all in the academic circles.A systematic study has been done.Therefore,on the basis of in-depth study of Huizhou decorative art in Qing Dynasty,the author tries to use stylized analysis,induction and comparison as a new perspective for research,and combines the beauty of shape and structure of ancient Huizhou beds with the beauty of wood carving decoration as a research In addition to enhancing the cultural connotation of traditional bedding,the new way of inheriting and innovating traditional furniture decoration art.As a symbol of identity,status and wealth,Huizhou ancient beds,driven by the idea of feudal officials,have become places and instruments where the wealthy Huizhou merchants have high hopes for their descendants to enter office.Relying on the intimate relationship established with the bed,the user regards the bed as a spiritual sustenance place for personal status,merits,and preferences,or a tool for educating children,and conveys social status,social status,Identity information such as economic ability,cultural taste,etc.Although the carriers of Huizhou woodcarving art are different,in the same Huizhou cultural background,the similarity between the arts and the mutual learning of each other’s advantageous elements have become the driving force for the development of art.Nowadays,most of the articles related to ancient beds are collection descriptions or research reports,and the research on the decoration of beds is still at the stage of the most basic interpretation of patterns and meanings.As a large piece of furniture carrying Huizhou culture,its decorative part is rooted in Huizhou woodcarving.While it has high research value,it has been influenced by local folk customs,cultural traditions and usage habits,creating a variety of styles.However,under the same influence of Confucian culture,the use of decorative patterns to convey information cannot bypass the cultural category of "images must be intentional,and meanings must be auspicious".In addition,the research on the decorative art of Huizhou woodcarving is more based on the formal meaning,and it is easy to ignore the emphasis on the artistic creation process.Huizhou woodcarving products embody the personalized creative ideas of Huizhou carpenters,but as an art,it is inevitable after maturity.stylized features.Therefore,continuing to study the meaning and composition of the woodcarving patterns of ancient Huizhou beds in the Qing Dynasty will not only yield redundant results,but also form a retelling of existing research.Therefore,the author takes a stylized perspective as the starting point of the research,adopts a different research method of emblem carving art,introduces the concept of shape and decoration,and regards the structural lines of the lintel as one of the integral parts of the ancient bed decoration.A more in-depth and thorough analysis of its crafts,culture,folklore and art in a small way.At the same time,using the method of comparison to carry out stylized research can raise the common relationship between and within the decoration of ancient Huizhou bed lintels in the Qing Dynasty to the mother of the study,and use the common features to prove that art has a universal formula.characteristics and results.