Research On The Narratology Of The Cultural TV Programs "NATIONAL TREASURE"

As the 18th National Congress of the Communist Party of China was held,General Secretary Xi Jinping stressed cultural confidence in many meetings.Without the inheritance and development of civilization,and the promotion and prosperity of culture,there would be no realization of the Chinese dream.As the epitome of Chinese civilization of five thousand years,it is necessary to publicize and carry forward wenbo culture."National treasure",as the most representative program of cultural and museological TV,is based on national treasure itself,showing the story of national treasure in the past and the present life for the audience,so that more people can understand the charm of national treasure itself and the historical and cultural value it carries.Through the program,the charm and value of national treasure can shine into the heart of Chinese children,thus arousing every Chinese children's strong sense of national pride,cultural heritage and cultural confidence.The first chapter of this paper is the introduction to sort out the research status in the fields related to the topic selection.The second chapter combs the development of cultural TV programs,summarizes the initial germination,excessive,prosperity and decline of cultural programs,and summarizes the characteristics of the programs in order to clarify the research vision and the development status of the research object.Through the summary and analysis of the development process of cultural TV programs,it is found that cultural TV programs can make elite culture and popular culture go hand in hand,and more in line with the new expectations and needs of the audience in the new era of TV culture and spiritual world.Chapter three is based on the narrators of Andre Goderot and Francois Jost.With the theory as the core theory,this paper analyzes the narrators of "National Treasure" from two aspects: the hidden narrator,the program production team and the obvious secondary narrator,the "guide" 001 lecturer,the "producer" national treasure guardian and the "commentator" curator Tiantuan,and expounds the functions and functions of different narrators in the program.Among them,the hidden narrator is the overall layout of the program,which determines the orientation of the program,the way of program presentation and the cultural connotation of transmission.Based on Genet's narrative perspective theory,this paper analyzes the narrative perspective of the National Treasure program,and sums up the narrative perspective of different narrative perspectives in the program narration.Play a role in.The guide takes "the eyes of God" as the angle of view to coordinate the program as a whole;the guardian of the national treasure is like the "changeable eyes",which focuses on different characters and characters,so that the audience can have a more comprehensive understanding of the stories happening from different angles.The curator Tiantuan complements and explains the events and comments related to the national treasure for the audience through the "calm eyes".In the fourth chapter,based on Lefevre's space theory,the narrative space of National Treasure is divided,and the construction and expression of geographical space,historical space,fictional space and spiritual space are analyzed.Through the construction of multiple narrative space to express the narrative of the great narrator.The intention of the matter is better to help the narrator to carry out a more comprehensive and three-dimensional narrative expression,to convey the original creative concept of the program,and to highlight the spiritual core of the cultural blog.The fifth chapter analyzes the narrative structure of National Treasure from three aspects:suspense setting,conflict confrontation and false handling in the program.The setting of suspense is to better show the drama of the legendary theater story of the previous life and pave the way for the occurrence of the story.This chapter analyzes the conflict confrontation in the National Treasure program from three aspects: characters and characters,society and nature.Conflict confrontation not only promotes the development of the plot,but also conveys the value that the narrator wants to convey to the audience.View,so as to deepen the interpretation of the program itself.The combination of false and real programs in the program is to help the audience better accept the output of story expression and cultural value.The conclusion part analyzes the living environment and challenges faced by cultural TV programs at present,and puts forward the future development strategy of sustainable development of cultural IP and going out of Chinese culture.