Research On Regional Cultural Communication Practice In Ningxia Cinema From The Perspective Of Cultural Space

In 1987,China's first film and television shooting base was built near Shanshui West Road,Binhu District,Wuxi,marking the beginning of China's film and television tourism.With the development of the times and the change of concept,the film and television city is no longer limited to the functional positioning of a single film shooting base,and has gradually developed into a cultural space that can represent and spread the local regional culture.Ningxia Zhenbeibao's western film has unique northwest characteristics and Ningxia regional customs,and enjoys "China's most unique film and television city","China's unique","Oriental Hollywood" and other praises and created "Old Man and Dog","Westward Journey","One and Eight","Red Sorghum","New Dragon Gate Inn","Wrangler","Yellow River Love","Jedi Wolf","Book Sword and Enemy" and many other classic film and television works.The full text takes the process of the film city and its regional cultural communication practice as the main research object,understands the Ningxia film city from the perspective of cultural space and analyzes the characteristics of the film city's different spatial forms and the process of regional cultural communication.The research process is based on the space theory as the main basis.Historically,researchers have shifted their understanding of the concept of space as logic,interpreting cultural space from the material dimension,practical dimension and spiritual dimension,and conducting research and analysis on the premise of the integration of three spatial forms,exploring different spatial forms.The process of regional cultural communication in the film city.The author collected a lot of perceptual experience materials through field surveys and visits,accumulated a lot of pictures and data support for this research,and at the same time established a certain theoretical basis by reading literature and journals.The theoretical basis of the whole paper is relatively simple and easy to understand.The thesis is divided into five chapters:The first chapter is an introduction,which mainly introduces the research objects,methods,meanings and concept analysis in the text,and systematically interprets the relevant concepts such as space,cultural space,regional culture,and Ningxia regional culture in the context of space-time transformation And clarify.The second chapter to the fifth chapter take people's cognition of space as the main logical evolution axis,and discuss the connotation,composition,characteristics and the process of regional cultural communication of the film city's material space,practical space and spiritual space.The material space is based on the form of point,line,and surface space,the practice space is based on the category of practical activity,and the spiritual space is studied with the word frequency analysis as the core entry point.The sixth chapter is an inspiration and suggestion chapter,mainly for the author to continue thinking about the content of the above chapters,and put forward his own views and suggestions on the process of spreading the studio space culture.The film city still has a lot of room for improvement in the excavation of non-legacy culture in Ningxia.In the future,we should pay more attention to the cultural form of the classic core.At the same time,the content and organization of space practice activities can be expanded and enriched.Under the video age,it grasps its huge traffic and content dissemination function,and provides a high-quality media platform for the regional cultural dissemination of the film studio spiritual space.