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Research On Domestic Idol Development Network Variety Shows

Posted on:2021-12-28Degree:MasterType:Thesis
Country:ChinaCandidate:J GuoFull Text:PDF
GTID:2518306029465714Subject:Press and Communication
Abstract/Summary:PDF Full Text Request
With the development of media technology and market economy,the number of Internet users has increased,the production capacity of online video platforms has improved,and online self-made variety shows have shown prosperity.The public's demand for spiritual culture has further increased.With the development momentum of the Internet,draft variety shows are also undergoing cultural changes.In 2005,“Super Girl”became the founder of the draft variety show.After that,“Good Voice of China”once again set off a wave,but the carrier of the variety show changed from the TV media to the network platform.The homogeneity of the program model also caused the audience Aesthetic fatigue,the traditional draft variety shows are waning.Affected by the trend of Japanese and Korean idol groups,in 2018,“ Idol Trainee ” produced by i Qiyi platform is the origin of idol cultivation network variety shows,and further developed “Creation 101”and “Creation Camp 2019”,It has also caused heated discussions.Such content programs are more in line with the needs of a new generation of online audiences in terms of content formulation and program models.They have been enthusiastically sought after by younger groups,and have become a new opportunity for the development of draft variety shows.The introductory part of this article mainly elaborates on the research background and significance of topic selection;The first chapter starts with the basic development of domestic variety shows,defines the concepts of“idol”,“cultivation”and“Idol development network variety show”,and analyzes the current development of idol formation network variety shows Motivations and characteristics;The second chapter roughlyinterprets the content of the program,Analyze from the aspects of demographic trend,female voice,youth subculture,and building selfIdentity;The third chapter starts from the perspective of narratology and explores how to tell the stories of variety shows in terms of narrative themes,perspectives,time and skills;The fourth chapter mainly analyzes the communication strategy of the program,builds its own brand,and maximizes the economic benefits;Finally,review the current problems of the program and provide corresponding suggestions.It is hoped that the program can increase innovation,spread positive values,improve the cultivation mechanism,and create high-quality idols.Through the comprehensive analysis of this article,I hope that the healthy and long-term development of idol cultivation network variety shows will do its utmost.
Keywords/Search Tags:idol formation, youth subculture, narrative, feminism, fan economy
PDF Full Text Request
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