The Narrative Art Of The "Poverty Alleviation" Micro Film

The key research object of this thesis is "Poverty Alleviation",and the research is conducted on the narrative art level of poverty alleviation micro-films,combined with the author’s graduation work Salesman in the Mountain and relevant film examples.The study aims to analyze the narrative characteristics of the poverty alleviation micro-films in the macro background which illustrate the subjective spirit with concise narrative structure,and how these micro-films realize the positive value that they carry through micro narrative perspective and novel narrative techniques.Micro-films about poverty alleviation have the characteristics of short length,small size,and strong policy.When narrating,producers need to simplify the narrative structure,set multiple suspense,choose appropriate narrative perspectives and positions,and highlight the characteristics of the characters to form the unique style of micro-films about poverty-alleviation.At the same time,during the research process,the author found that family ethics is a common element in the film narrative,and comparatively conservative emotions can be expressed by innovatively transferring the relationship of family members,and appropriate use of "character offside" can enhance the appeal of micro-films.In addition,under the background that new media communication platforms are dominant,the theme expression of such films should find the right entry point,start small,and combine a large number of real shots to resonate with the audience.The author hopes that by studying the narrative art of micro-films about poverty alleviation,the achievements in relevant fields can be enhanced,so that more professionals in this industry can tell the "Chinese story about poverty alleviation" well.By exploring the narrative art of this type of film,it can not only help the poor people achieve material poverty,but also achieve "spiritual poverty".