A Study On The Narrative Of Poverty Alleviation TV Seriesabstract

The proposition of the times always endows TV drama creation with new endogenous power.At the end of China’s poverty alleviation,the film and television circles have focused on the topic of "poverty alleviation".The creation of poverty alleviation TV dramas with the theme of rural poverty alleviation has become an important cultural phenomenon and gradually formed its own typological characteristics.By reflecting the great changes of rural areas in the wave of poverty alleviation,poverty alleviation TV dramas integrate the theme discourse into the narrative of daily life,tell the rural story of targeted poverty alleviation in multiple dimensions,show the distinctive style of "new countryside",and reproduce the image of rural poverty alleviation through audio-visual combination.While continuing the basis of realistic image style,the Creator shows his uniqueness in narrative style and narrative structure.The TV play shows the inheritance of the poverty alleviation spirit under the background of the new era,and takes practical care and examination of the rural society at the same time.This paper takes the representative poverty alleviation TV dramas such as "no one can be less","the most beautiful countryside","flourishing flowers and leaves",and "Minning Town" as the main research text,and interprets the poverty alleviation TV dramas through text analysis and literature research.From the perspective of narratology,through the analysis of the story elements,narrative strategies and narrative discourse of TV dramas,this paper explains the mirror expression of poverty alleviation TV dramas to reality in the context of the times.The main body of the paper is mainly divided into the following three parts:The first part analyzes the story elements of poverty alleviation TV dramas from the character pedigree construction and plot setting.Through the three character identity settings of leader,follower and reformer,as well as the confrontation,"integration" and comparative plot,it analyzes the functional representation of groups with different identities in rural poverty alleviation and the rural crux behind it,so as to show the picture change of rural areas from backwardness to affluence.The second part explores the narrative strategy of TV series,that is,the problem of "how to tell" after establishing the story elements.From the perspective of characters,scenes and language,this paper analyzes the daily life expression of TV dramas under Grand topics.The youth narration takes the youth as the main body,eliminates the seriousness of topics in the way of light comedy,so as to cater to the young groups,and interprets the local complex rendered in the play and the traditional Chinese virtue of benevolence and goodness in the characters in an emotional narrative way,so as to achieve the emotional identity of home and country isomorphism in the narrative of poverty alleviation.The third part mainly analyzes the narrative discourse of TV drama,and discusses the construction of TV drama meaning from the perspective of cultural context.Through the integration of national political discourse,economic discourse and rural folk discourse to convey the mainstream ideology,expose the practical problems such as rural evil environment,poor education and hollow village,and highlight the transformation of rural development pattern and spiritual pattern in the process of poverty alleviation.This paper analyzes the narrative techniques of poverty alleviation TV dramas.This type of drama draws ideological and cultural resources from real life to describe the new vision of rural revitalization,inherits the realistic image style and comedy narrative tradition,and constantly tries to tell China’s poverty alleviation story from a variety of narrative perspectives,opening up a new field of main melody TV dramas.The TV series on poverty alleviation have constructed the "Chinese sample" of poverty alleviation through artistic techniques.