The Transformation Of Genius Loci Of Suzhou Historical Districts Based On The Artistic Conception Of Poetry

Many problems have been exposed in the continuous rapid expansion of the urban modernization process,such as the one-thousand-city side of historical districts.These cultural homogenization phenomena are on the surface due to the lag and improper planning methods,but in fact they are caused by the superficial understanding of the spiritual connotation of the place.Historical blocks are precious spatial resources,and are important material expressions for building cultural self-confidence,inheriting and carrying forward Chinese traditional culture,and have the dual values of material space and humanistic spirit.Seeking for excellent theoretical standards and establishing a universal design and planning system has become an urgent task today when the importance of cultural consciousness is increasingly highlighted.This article takes the theory of artistic conception and the theory of place spirit as the research scope,and takes Suzhou Hanshan Temple,Taohuawu and Huqiu as the research objects.Through the inductive analysis of related poems and theories,the traditional Chinese artistic conception theory is introduced into the research of place spirit,and the corresponding relationship is established with related Western theories,exploring the evolution process,and interpreting and reshaping the place spirit of historical districts Provides a new framework.The content is divided into three parts.First,it conducts the related research on the poetic artistic conception theory and the place spirit theory,and conducts conceptual analysis through the interpretation of relevant documents at home and abroad,and compares the two in terms of connotation,theoretical basis,composition level and cognitive style.Then it affirmed the value of artistic conception theory to the spiritual construction of contemporary historical districts,and divided the three levels of "objective environment","situation" and "artistic conception",laying a foundation for writing ideas.Secondly,around these three levels,specific analysis is carried out separately,combined with actual cases in the three blocks of Suzhou Hanshan Temple,Taohuawu and Huqiu,to study the formation characteristics,evolution laws and dynamic mechanism of the spirit of the place.Prove the practicability and reliability of the theory.Finally,the design strategies corresponding to different levels are summarized from the examples,and the applicability of the strategies is extended.The study found that the Eastern artistic conception and the Western place spirit have similar connotations,the foundation of imagery,the promotion of hierarchy,and the origin of the body.Therefore,the study of the spirit of specific regional places can be carried out in the three levels of object,situation and artistic conception.At the level of "object environment",the formation process goes from "observing the object" to "searching for the image in the object".The three blocks have different physical characteristics: Hanshan Temple is centered on the sound of bells,Taohuawu is led by peach blossoms,and Huqiu is based on the landscape.The evolution of the physical environment is affected by the three driving forces of politics,economy and society.At the level of "situation",the subject expresses his feelings through the "empathy" of the object.The situations of Hanshan Temple,Taohuawu and Huqiu in ancient times were: full of sorrow,returning to the garden,and feeling nostalgic for the present.The three situations are developing in a positive and positive dimension.At the level of "artistic conception",the core difference between Chinese and Western "Situation Theory" and "Heaven,Earth,Man and God" lies in the essential pursuit of "unique harmony" and "approach to divinity".The injection of subjective emotions into the space produces an improvement in the quality of the situation from the object to the situation.The density and structure of the multi-dimensional interweaving determines the leap from the situation to the artistic conception.The artistic conception of the three blocks of Hanshan Temple,Taohuawu and Huqiu in ancient times showed the characteristics of ethereal and secluded,quiet and elegant,and being born into the world.The evolution of artistic conception is the result of a combination of internal and external factors.The disappearance of cultural atmosphere and the invasion of commercial media have become the biggest problems of artistic conception today.Finally,relying on the poetic artistic conception creation and perception mechanism,the design principles of authenticity,rationality and difference are established.Then,for the research objects,he puts forward the strategies for improving the spirit of the place in terms of conception,object environment,situation and artistic conception,and makes suggestions for combining virtual reality with reality,good use of "hiding",returning to settlements,and returning time to other historical districts in China.In terms of theory,starting from traditional Chinese poetics,this article integrates the artistic conception in the Eastern context with the spirit of place in the Western context,summarizes the emerging thinking model of studying the spirit of historical districts,and further enriches the relevant theoretical system.In terms of practice,the construction model of place spirit summarized in this article provides a solution to the dilemma of the renewal design of Historical Districtss that our country is facing.