Study On The Design Of Artistic Conception Of Zen Landscape Poetry In The Prosperous Tang Dynasty In New Tea Space

With the rise of China,a strong sense of national pride has prompted us to return to our traditional culture,and Chinese cultural confidence has become a key word in the hearts of every Chinese people.Therefore,in this "culture-centered era",the practice of implanting the spirit of Chinese culture into the space and combining classical beauty and modern charm to create an interior space where traditional culture and modern fashion coexist,not only follows the current trend of interior design but also conforms to China's cultural background.In the vast ocean of Chinese culture,Tang poetry is unbelievably beautiful.The unique artistic charm,special aesthetic value and humanistic spirit of Zen landscape poetry in the prosperous Tang Dynasty belong to both our nation and the world,and should be inherited from generation to generation.The research,taking the new tea space as the research object,is based on the poetic artistic conception of Zen landscape poetry in the prosperous Tang Dynasty.Firstly,taking literature analysis as method and formation of Chinese classical landscape poetry as a clue,the author focuses on the cultural phenomenon of Zen landscape poetry in the prosperous Tang Dynasty,so as to explore the connotation of Zen poetry in this period.At the same time,by interpreting the works of poets such as Wang Wei and Meng Haoran,the aesthetic conception of Zen landscape poetry in the Tang Dynasty is divided into three categories:uninhabited space,ethereal space and spiritual space.With the support of interdisciplinary research method and semantics theory,the study refines the visual elements of the new tea space as three features:flowing,simple yet profound in layout,plain and natural in shape and light and elegant in color performance.Secondly,through field inspection and individual case analysis,the connotation of the contemporary new tea space is discussed.It is summarized that the space is smooth as a whole yet independent in parts in layout,flexible and changeable in shape,mind-reflecting in quality and material,pure and elegant in color demonstration.Further,through comparative analysis,the research finds the coincidence of the artistic conception of the landscape poetry and the new tea space in the Tang Dynasty in terms of their spiritual culture and visual aesthetic elements.Therefore,their detailed design expression methods are concluded:the blurry interface and flowing water in the "uninhabited space";the artistic empty and simplification in the "ethereal space" and the expression of mind through objects and materiel in the "spiritual space".At last,the expression method of the design is used as the theoretical guidance basis,and the innovative design of the actual new tea space is carried out to verify the relevant theories proposed before.Finally,the aesthetic and practical need is met.The study,by drawing nutrients from the traditional poetry aesthetic culture and combining with the modern new tea space,through the corresponding construction techniques and artistic expressions,gives the space a special aesthetic mood.Such moves create an interior space with unique Chinese traditional culture and stimulate the innovative thinking of the designers,therefore provide a theoretical reference for the design and study of the artistic conception of Zen landscape poetry in the Tang Dynasty in the new tea space.