Observing Variety Shows Research In China From The Perspective Of Gaze Theory

Since the show of "My Boy" in 2018 was popular,domestic variety shows began to enter the audience's field of vision.Different from the previous forms of variety shows,the observation variety shows moved the "observation" behavior to the program,and established the second studio to observe the characters in the first scene.Prior to this,variety shows showed two camps,reality shows and talk shows,while observation variety shows are a brand new attempt.It combines reality shows and talk shows ingeniously,creating a reality show outside the shed and a talk show inside the shed.Program format.As an important content in the production of current and future variety shows,it is not only different from traditional reality TV shows,but also different from ordinary TV talk show programs,it is necessary to conduct a complete combing and more in-depth research.This study starts with the word "observation" in the program and systematically analyzes and observes variety shows from the perspective of gaze theory.The study selected the intergenerational emotional observation variety show "My Girl" in the past two years,the marriage and social observation variety show "The Signal of the Heart",the workplace observation variety show "the exciting offer" and the growth education observation variety show " The four representative observational variety shows of Tong Yan You Ji have been qualitatively analyzed as research texts.The article mainly uses case study method,comparative analysis method,text analysis method,semi-structured interview method and other research methods to carry out research on China's observation variety shows.This research is divided into five parts,chapters two,three,four and five are the focus of this article.The second chapter mainly analyzes the innovation of the viewing style of observation variety shows,focusing on the analysis of three different scenes in its viewing style,the different levels of visual gaze in the viewing behavior and the accumulation of real-time interaction experience of the audience during the viewing process.The third chapter discusses the way of observing the performance of knowledge and power in variety shows,the specific manifestation of the authenticity of the program caused by "power gaze",and analyzes the problems in the production process of such programs.The fourth chapter analyzes the viewer's self-construction and identification mechanism in the process of watching and watching variety shows,as well as the analysis of the motivation and appeal behind the "identification gaze".On the basis of the discussion in the last few chapters,the future development of observation variety shows in the form and content of the program is discussed.The author believes that such programs should pay more attention to their cultural connotation in the future production process,pay attention to the psychology of the audience under the changing times,and focus on originality and conversion of observation objects based on the model of "observation room + vertical field",breaking the "gender stare "" Stereotyped prejudice,breaking through "power staring",seeking the real soil for the audience to construct themselves.This paper hopes that through the study of the variety show,we can provide some suggestions and references for the production and development of such programs in the future.