The Research On Jacques Perrin's Eco-film

So far,scientific-technical progress and productivity improvement function together as the driving force on the development of human civilization.However,technology is just like a double-edged sword which extremely sharp and keen,it makes people happy than ever before,but on the course of social progress,the side effects to ecological environment began to emerge.With the natural disaster frequently occurred,we human beings began to rethink what we have done and what we are doing to the nature.People from all the fields of society began to realize it's severity and take some actions,the film and television persons from many countries were show the potential crisis of modern social development by way of shoot movies,which express deep concern about the destiny of the earth and the living circumstances of human beings.Following that,the movies about nature and ecosystem come about.Among those films around natural systems and environmental conservation,the French filmmaker Jacques Perrin did a remarkable job.His "heaven,earth and the people" trilogy-"Microcosm","Le peuple migrateur","Himalayas",is the masterpiece.This trilogy had a great shock to the international film industry by it's beautiful and unsophisticated visual impact,by it's natural sound experience and deep ecological philosophize,which turned out well-known and influential.The article is mainly based on the French director Jacques Perrin's "heaven,earth and the people" trilogy,combined with his latest work "Ocean",to him Eco-film for a relatively detailed study,to tap the unique works of his film,focusing on its diverse ecological themes,simple ecological aesthetics and profound ecological philosophy,and to explore its artistic expression,business aspirations and ideas consciousness of success.This thesis consists of six parts.The first part is the introduction,briefly introduces the ecological causes of the ecological crisis and the development of the French eco-film,and briefly reviews the domestic and foreign research on the theme of the natural ecology,environmental protection and so on.In the second part,after the conceptual definition and development of the ecological film,the author summarizes the growth experience of Jacques Perrin and the film of his starring or creation.The third part is the focus of this article,in-depth study of Jacques Perrin works contained in the artistic beauty and ecological feelings.First of all,the trilogy as an good example to explore the diverse ecological themes,including love and life,dreams and return,etc;and then from the composition,light,color and other elements of the visual analysis of the aesthetic simple,the sound of the film soundtrack analysis of the sound of natural;finally dig deep in the Jacques Perrin 's film works contained in the ecological philosophy and the show on the anthropocentric values of the strong criticism.The fourth part focuses on the dualistic paradox of ecological film in the form of cultural products.The fifth part expounds the aesthetic characteristics of "Ocean" from the aspects of "natural beauty and humanistic beauty","life and art","documentary and story".The last part is the prospect of the future development of ecological film "green".What those films bring to people is not just the self-reflection,instead set up a good example on the area of eco-documentary film.It established the best example of aesthetics of eco-film,and demonstrated how to realize the multi-win on art,commerce and ideology.That's what our Chinese eco-film needed to explore.