The Researeh Of Jacques Perrin’s Ecological Documentary Film Aesthetics Thought

Industrial Revolution, the technological revolution at the same time bring the great achievements of human society, but also led to increasingly serious ecological problems. More frequent disaster warning behavior in the development of human reflection. Literary and art circles in different ways in response to the problems faced by the human ecological environment, the film industry is no exception. In recent years, including Hollywood, including a growing number of filmmakers have gathered to look on man and nature, ecological and environmental problems. Jacques Perrin is one of the best human environment, good, ugly, evil, light and shadow, he records the great praise of life, calling the return of human nature. Especially his days land humen trilogy, the most representative. Jacques Perrin’s latest masterpiece "Ocean", continues the "migratory bird" to create a poetic, beautiful, in the form of a strong sense of aesthetic tendencies, and given the strong practical significance. Therefore, the study of Jacques Perrin’s documentary film, the creation of the domestic ecological documentary film there will be some significance.Jacques Perrin’s "days land human" trilogy, for example, combining the latest masterpiece "Ocean" and the Aesthetics of his eco-movie to make a more detailed study, and explore the film aesthetic. The difference is mainly to explore the deep humanistic concern for human intrinsic ecological harmony. This article consists of five parts. The first part of the introduction briefly Jacques Perrin ecological documentary film development process, and on behalf of the films. The second part of this paper we take the "micro world","Himalaya","migratory bird","ocean" as example to analysis Jacques Perrin’s film theme. The third part combine video analysis of their ecological documentary films shown by the aesthetic implication. First analysis of the aesthetic of the film feel pure and pristine; analysis of the spiritual beauty of freedom and equal philosophical speculation. The fourth part of the combination of film analysis Jacques Perrin ecological documentary film intrinsic ecological harmony and film to convey the denial and criticism of anthropocentrism. The first is a "micro world", it is not simply to show the natural ecological wonders and a variety of biological survival of the state, but "natural" as the protagonist, tells the story of their life. The film narrative to show objectively and calmly, expressing the creator of the distinctive values and aesthetics. Followed by "Himalaya", the plain language of the camera, calm tone of the narrative, to show the state of life and survival awareness of the flower-er parked. Finally, the "migratory bird" and "Ocean", the movie reference to the Earth’s ecological environment, the perspective of birds and marine life, to further deepen the critique of anthropocentrism. The typical case of the fifth part of the eco-documentary film analysis, interpretation from the bird’s perspective and the perspective of the film "migratory birds" movie "Ocean" presents a totally strange waters, bringing the double shock of an audio-visual and spiritual:The Beauty of Life and the weight of conscience.