On The Contemporary Translation Of Chinese Traditional Garden And Architectural Culture

In the past few years,the thought of architectural design and the philosophy of architecture from western countries have been the dominant ideas of Chinese architectural design,and have influenced the architectural design and construction of the whole China,and influenced the architectural education system of China.With China’s rapid urban construction,the Chinese traditional culture was disregarded,ignored and forgot by the entire society.As one of the leading figures in Chinese construction industry,Wang Shu took great importance to the use of Chinese traditional culture in architectural design,landscape design.The Xiangshan campus was designed by him,and was treasted as of the representative works which can reflects the Chinese traditional culture.This thesis presents a series of new judgess and new ideas.Such as,do research on the relationship between people and the potential demand of architectural design;do research on the opposite view to the function,economy,convenience on the principle of building,through these principles,do research on the "wrong" construction is closely related to the traditional culture.Combined with the analysis of Chinese and Western culture ideology,philosophy,combined with the analysis of literature,painting,calligraphy art,to conclude the building design methods and thinking directions which can reflect the Chinese traditional cultural by the present stage.The first chapter of this thesis is the significance of the research,the status quo and the related theoretical basis and research methods,research route.The second and the three chapter mainly studies the cultural differences between East and West and the influence on architecture,landscape culture,including cultural differences in language culture,painting,literature from the East and West,and the effect of the gap brought to the East and west architecture philosophy,which is the focus of this chapter.Based on the previous theoretical analysis,the fourth chapter studies the relationship between architecture and nature in Xiangshan campus.The fifth chapter is the core of this thesis,combined with the traditional Chinese garden culture,put forward a new theory of "wrong" construction.The sixth chapter discusses the application of Chinese traditional culture through the architectural function,architectural form and building material of Xiangshan campus of The China Academy of Art.The seventh chapter summarizes the influence of Chinese traditional culture on Chinese architectural education,Chinese architectural design philosophy,and puts forward the prospect.