The Daur And Manchu Traditional Materials In The Culture Of Creative Product Design Applications

A product’s elegance and beauty are mainly carried by its material. Therefore materials are fundamental to both the design and innovation of products. Being creative and innovative, the design of culturally creative products enables traditional materials to be converted into good-looking, economical and practical products. While maximizing features, aesthetics and reasonability of traditional materials, such kind of designs have also created a wholly new design language for products.Daur and manchu these two ethnic history formed with abundant connotation of ethnic culture and traditional materials using style, but with the development of economy and the progress of the society, urbanization, more and more serious, the modern product design method of using the same materials, all kinds of traditional design material of similar, &matrimonial also gradually melting, walked down from the historical stage, the daur, manchu traditional materials research has analyzed the heilongjiang regional characteristic of the traditional material usage, the craft and technique fully embodies the clan and the manchu culture, the "skin" material can let us pursue the update breakthrough in contemporary design.Regarding to the study on the integration between culturally creative products and traditional materials, this thesis focuses on Daur and Manchu minorities’ traditional materials –- fish skin-- and their creative craftsmanship, demonstrating how traditional materials are used in the culturally creative product design, The authors introduce the concept of "cultural creative product" to the traditional design material, to traditional materials and modern culture creative products and produce new chemical reactions in the design, the design of possibility, feasibility, necessity, and will do as the facts of case analysis and case design concept, from the color of the product, form and creative characteristic has carried on the rational analysis, the final design of new creative product of traditional material culture,and comes to a conclusion that these two minorities’ transitional materials provide a reference and positive energy to the design of culturally creative product industry, via analysis and induction of detailed pictures and renderings.By an integrated research method, culturally creative products enable these two minorities’ traditional materials to be inherited in a way combining natural spirit and modern manufacturing. By such research method, more culturally creative products will be created in the future product design study, which will also provide more theoretical references to related researches on Daur an d Manchu minorities’ tr aditiona l materials and cultural ly creative products.