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Dancing On The Tip

Posted on:2014-03-30Degree:MasterType:Thesis
Country:ChinaCandidate:J F HuangFull Text:PDF
GTID:2251330401988136Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Based on culture, thinking and skills, color, shape, etc. Chapter five text, plus "preface" and "conclusion", a total of seven parts, the spread of zhuang folk embroidery design art, craft and its related folk cultural memory and imprint of an umbrella, showing a self image and distinctive identity).Through art, anthropology, ethnology, history, sociology, design and other research methods, from the observation, visiting investigation, master data, literature, etc many ways, and combined with the author’s own life experience and the emotion experience, make a comprehensive description and analysis, tries to present:of emotion, full of life, literature and folk flavor of multiple personality, culture and art, in turn, the full manifestation of zhuang folk embroidery of the heavy cultural memory and artistic features.The first chapter, culture. First of all, seen from the history of zhuang folk embroidery culture and revealed the meaning and function of special education, and thus into the zhuang folk embroidery and folk life form. Secondly, from inside the deeper cultural background, namely rice culture distinctive characteristics-marks of rice roots, folk festival, women’s status and role, etiquette cuhk rooster of special significance, etc., constitute the main deep to embroidery culture and folk culture source of characteristics. At the same time, interest in cultural imprinting, and related links, give many of cultural meaning and reference. The second chapter, thinking. When it comes to thinking will say language and words, because, we know its language and characters of thinking or say the most important role. Zhuang folk art artist’s thinking is strange, it related to the characteristics of zhuang language and life use form. Zhuang language, thinking and characteristics of zhuang’s folk songs are the most closely and is particularly important. Then, the relationship between zhuang words and zhuang woman? Its effect on zhuang women if you have any performance and function in women’s life and creation of thinking, not common meaning what? This is also a key point of concern and discussion in this chapter. But it also has a very important is also folk life, religious belief, or a kind of potential and imagination and the zhuang folk life of women and nature, the relationship between the effect of living and thinking, which is also significant. The third chapter, skills. Folk embroidery is the most important technical skill and contains the artistic skills, so, skills of the most important is inheritance. Not all skill will no longer exist, according to the current situation of zhuang folk embroidery in today and phenomenon, special thinking and discussion. On the other hand, a key part of the skill, is the source of raw materials and production techniques, skills to include color techniques, etc. At the same time, the embroidery of the most direct embodiment and technology and art perfect combination of technical work and performance of the process itself, such as stitch situation description. The fourth chapter, the color. About embroidery and coloring with national habits and characteristics, the basic type of coloring and style of zhuang folk embroidery., on the other hand, the zhuang folk embroidery is one of the most important characteristics of color, coloring and folk folk cultural life is art of edible color is consistent, also is the colour of zhuang folk environmental protection and ecosystem. On the concept of life and personal health is a good typical example, food pigment to the present and the significance of clothing color in, this should also be especially modern thinking emphatically. Chapter5, configuration. Two aspects to analysis of zhuang folk art embroidery design. On the one hand, the design of embroidery item object shape and type. Mainly embroidery items form the characteristics of the utility function and the rationality of the design., on the other hand, is more as a spiritual and beautification adornment design art and the artistic quality of visual patterns, as well as its artistic characteristics and significance.In addition, this article foreword part, briefly summarizes the research of the origin, knowledge background, the research achievements of predecessors and relevant important basic information and content. At the same time, this paper discusses the basic relations of the parties and the zhuang folk embroidery design art image\"pan-asian light plane\" initial impression. Epilogue, discusses the distribution in zhuang region, population, composition structure relations under the background of comprehensive, integrated the key factor in front of the parsing embroidery skills such as the existence of folk culture and art form, its cultural heritage in the contemporary value of significance and cultural enlightenment. At the same time, to the rapid development and the fluff more complex modern design with certain tips and thinking, let people consciously use multi-dimensional ideas and new culture, to define themselves and look at him, to imagine and look forward to the future of the psalm. Appear as sex structure, the first two chapters, chapter three is case, both for disposition. Sex as the connotation, form, content and form, which is the character of this embroidery design art features of comprehensive picture. Cultural memory and mark will reflect folk and life. Inherent spirit and external physique in folk consciousness under the life state of emotion, constitute a full set of zhuang folk embroidery design and art and its cultural imprint information memory and life outlook.
Keywords/Search Tags:zhuang, Folk embroidery, Design art, Cultural memory
PDF Full Text Request
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