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New Images On The Internet And New Audience Research Postgraduate Of Mass Communication

Posted on:2014-01-26Degree:MasterType:Thesis
Country:ChinaCandidate:K L MuFull Text:PDF
GTID:2248330398482411Subject:Film
Abstract/Summary:PDF Full Text Request
We in this economic change, in the face of the "image" of the era, in the face of "demand" to the image; In other words, this flow rate is growing faster communication studies, for the image of the "demand" an "event" needs continue to occur-enough to reverse the trend of a development trajectory, even qualitative-the "new" demand. Thus, we are faced with a body-generative theory, a generated simultaneously fundamental-or say radical-conversion. This "new" Italy is no longer resort to the talent of the past spiritualism, it will not be a materialist emphasis on structure and form of short,"new" is no longer adjectives grid, but dynamic "unique point is a valid point" action ": means" new "is an intervention. That way, when we are concerned about the new image, you can issue into:the new image is an image of referralInto, that is sufficient enough into the image of the event. Therefore, in the fact that such a process for producing a consumption, we can recognize the image can not as a reproduction of the existence of any and as events Trahison, and even the generation of the event is sufficient to "shake" established reproduction order. However, the demand pattern of such an image, not just as special a contemporary phenomenon (history), on the contrary, whether from the "Western" or the Taiwan experience, as early as, respectively, in the five or six. Age of eight. Era occurred in Italy, France, Germany, South America and Taiwan; just in time "intervention to image"-as the image of the event-the image of a "protest" against the capitalist consumer society " demand, rather than as a natural economic phenomenon needs. It, the name of a new movie image, not as a distinct phenomenon of globalization (geographically), but as an image of the "inner plane":This is the internal plane is sufficient to describe the image as an action, because of the inherent plane as a "generating new relationship" with the "driving force" for I a temporal plane. All in all, the event of an image or to generate an image, on the one hand, as a new style of image, on the other hand often as image creation to be released the extremely energy inherent plane. But today, it has become the era of globalization and the low profit era reproduction paradigm "In other words, it is no longer as the internal operation of the plane, while almost totally" it of. After the description of the context of this period of rough, if we go back to Taiwan historical reality, what occurred in Taiwan over how the image event? This image events affect how the image of the world presented? Fact, in Taiwan " Contemporary development, and the creation of the new image-or images involved in world events-mainly experienced two important stages of the new film and contemporary art. Of course, the promotion of the era, the innovation of the image is often a splicing transition series, single with two unique moment to be demonstrated and can not complete reproduction or reconstruction of a historical schema, but constitutes the strength of the event influence after we be calibrated two special development, only they are not reproduced "a historic moment" for the event, but the shift in the dynamic inherent level of the entire image "critical moment."This paper is divided into five parts, the first part of this paper is to development and its status duo on the transmission of video art, and the audience for the traditional image of the cognitive, acceptance and consumption. The second part is a detailed discussion of network performance study of the new image and the existence of practical significance, start to summarize the new image of the status duo, content classification. The third part focuses on the mode of transmission, and the business model of the new image. The fourth part discusses the dependencies of the new image and a new audience. That the audience of the new image and the new image of mutual transformation, the emergence of the new images, the images of the mass media lies in the hands of a few institutions of state can be changed, change the image of the right to speak thus. To find a way out of this paper based on the transformation of image transmission in the Internet age, the trend of video art, spread the new features and forms of communication in the Internet age, and to provide a theoretical basis for the creation and dissemination of new media video art in the future, and may appear plight.
Keywords/Search Tags:image propagation, audience analysis, New Media
PDF Full Text Request
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