Of Japanese Chinese Poetry From The More "artistic" Traceability Research

"Fuga" is one of the core concept of Chinese Poetics, from the "Book of Songs" in the future, Chinese authors in the time of writing poetry, almost all intentional or unintentional abide by the creation of standards. The generation of Han literature Japan, is by the far-reaching impact on Chinese literature. On the japanese Han poetry, it’s "Fuga" concept also greatly inherited the "Fuga" concept of Chinese poetry. But there has been another Japanese unique elegance quality. Mainly displays in the following points:one is the personal tendencies on the Japanese Han poetry, The second is the euphemistic and pure as well as fresh and natural aesthetic tendencies, The third is the Japanese society sought after and advocating Han literature of Chinese Poetry and fourth, of it’s performance in the Japanese Han literature beyond the political.This text can be divided into five parts:Part Ⅰ:Broad discussion on the origin and history of Japanese Han Poetry divided. Think Japanese Han Poetry originated of the Japanese Era of the late, by the pregnant wind algae in the Large Friends of Prince the "Shi feast" and "Shu Huai" for Japan the beginning of Han Poetry. The history of staging can be divided into four periods: Dynasty(646-1192), The Wuahan period(1192-1602), Edo period (1603-1868) and, Meiji after(after1868).Part Ⅱ:Mainly discussed the "Fuga" connotation in Japanese Han Poetry, and unity of China and Japan "Fuga" to the concept of the similarities and differences. Discuss mainly from the following aspects: First is their political tendencies of the Japanese Han Poetry, second is the aesthetic tendencies of the Japanese Han Poetry, third is the Japanese society advocates of Han Poetry and four, Japanese Han Poetry beyond the literary-political.Part Ⅲ:Mainly discusses the changes of the four periods of the history of Japanese Han poetry creation of the main body and is ideology in order to explain the underlying causes of the Japanese elegance concept of rheology. That dynasty creative main countries the ruling class-based, Chinese poetry creative consciousness is the performance of the will of the state’s; the Wushan period creation subject to Five-Shan Chan Seng, Chinese poetry creative consciousness in the continuation of the dynasty, turned to Zen Buddhism, and learning and the creation of Chinese poetry for fashion; Edo period of creation of the main turning to civil, most of them have a good cultural upbringing and Confucian self-cultivation, their creative consciousness worship Confuciansm in Song Dynasty and Ming Dynastry; Began to decline in Japan after the Meiji period Chinese poetry creation.Part Ⅳ: Through case studies, Sugawara Road really Bai Ju-yi allegory of poetry to accept and Japanese Han poetry acceptance of the Unseen Poem conception of the Wang wei, to explore the Japanese writers and their works by the capacity of Chinese writers and their works.Part Ⅴ: Mainly to Japanese Chinese poetry in the mode of existence of Japanese society was investigated. Divided into two subsections, First section discussion the relationship of the Japanese Chinese poetry and Japanese literature, and that the Japanese Han poetry has become an intergral part of Japanese literature; the second section discusses the work of Japanese writer and the Poetry, and that in Japanese society, Japanese Han poetry itself has become synonymous with elegance.