Colorful Language Of The European Medieval Stained Glass Windows Of Gothic Churches

With the impact of the rise and development of the European medieval Gothicarchitecture art and religious thought, a wonderful work of art-stained glass windowsin the Gothic cathedral, the language of color resulting in Gothic painting a large partof the contents reflect the color in the church’s stained glass mosaics. This form ofartistic expression for color glazing, domestic attention given to relatively small,especially its mystical decorative colorful language, this article aims to understand thecolorful language of the mosaic works of stained glass windows in Gothic churches ofmedieval Europe, combined with the art background, described the structure ofreligious thought and church buildings on the stained glass windows, colorfullanguage, to reflect the aesthetic value of stained glass and the modern sense,combined with the development of medieval glass technology, coupled with their owncolor theory in art understanding, modern vision to find the artistic achievements ofthe stained glass windows, mosaics, and also reflects the art features and artisticachievements of Gothic art.Macro theoretical background, the author attempts to observe and study thetheory and study the language of the color of the stained glass windows of theCatholic Church of China’s Jilin combination of factors through the church glasswindow decoration color, material, light, subject matter and color layout, the use ofcolor in modern digital art and decorative glass window color language compared toanalyze the colorful language of the European medieval stained glass windows ofGothic churches, including the cause and effect of the language of color, artisticfeatures and value. The colorful language of the church language of art and stainedglass and decorative styles combining the beauty and value of art will eventually bereleased, causing the resonance of the author and all readers in mind.