Laugh At The Pain

Since the 1980s, through the baptism of reform and opening up, institutional transition and cultural blend,China provides a looser social context for the germination growth of female consciousness.CCTV broadcast the first Spring Festival gala in 1983, the image of intervention changed the traditional way to celebrate New Year and assembled the most stable and largest audience groups all over the world.As the concentrated review and prospect expectations of annual China,it can best highlight the intercourse point of dominant ideological discourse and secular public discourse.Especially the language class program, more to its relaxed,humorous and let people laugh’s entertaining, closeness, daily narrative, gathering up the intensive language stream layer which attract most attention of Spring Festival gala, forming an open field to feel the concept trend and touch the meaning circulation.The media space which own demonstrate effectiveness has always been the strategic location for each share cultural forces express their demands and scramble discourse,this makes exposure to one of the characters tend to be given more dominant behavior intention,convey the deductive of power distribution’s real order. Therefore,the characterization of women in language class program not only can dynamically reflect the epidemic characteristics and role function of women in different periods, but also can through " humor ", " applause" and other identity setting means and pointing construction logic which moutain aesthetic means, reflecting the living conditions of women in the medium.Since the premiere of CCTV Spring Festival gala has launched 33 years, language class program involves eight different art forms."crosstalk, sketch, recitation, storytelling, Shandong clapper ballad, harmonic drama, monologue and ventriloquists. Among them, the crosstalk and sketch have been evergreen in the stage which occupied the prime-time’s most part. The remainder is very rare and almost no correlation with female, so they were excluded in determining the language class program analyze samples, only from the crosstalk, sketch(except early pantomime) two main art forms to screen out the total 315 samples in line with the scope set.As a base,which is split into 164 samples have women participated and 141 samples only showed by men.The former as the largest concentrated field of discourse involving women’s issues in the Spring Festival gala’s language class program, so the conclusion of full-text data analysis for its enabled female actor over the years and image qualities of the rendered female characters possessed have the most representative tendency; The latter discourse which referent women’s part is able to directly convey the aesthetics and demand tasting of men, the former as a useful contemplation and supplement.,as a useful contemplation and supplement for the former part.Two combined,with the law of the construction and characterization by media, the development and rheology of breakthrough and stick,the overall characteristics of social existence for female images to be qualitative speculation in the macro level.According to the social historical and cultural context in which women at different times,at the micro level to explore the interception amplified which femininity as comic elements organized and collaged the images of female in the samples,these humor resettlement situations, issues surrounding, directed groups and so on shows what kind of internal logic.On this basis,explain and clarify the media’s construction path of female images, the definition of behavior value, the assignment of role function and the cultural representation and power order point lies in the following, with women’s cultural vocal circumstances,think back the rationality of media expression and the reality rank of social existence.Through the study found that these women who have seemingly different patterns and pluralistic mode of existence is still not free from"appearances" mechanism’s selective construction. The changeable are compromise imposed innovative of the expression strategies and deployment of the logic barrier mesh mode with the initiation of female consciousness,the same part is the identification value of the kernel which behest by its ideology cultural location.They dip in the culture of identity value,loop architecture of humor logic and implicit drive of general experience to be constantly type and homogenization deduction.Those female "ugly" which were highly ridiculed and incited applause,More splendid with the help of the coat called humor amusing and do not need to care about,masked the aesthetic will of men,incentive discipline of culture and the judgment of demonstration effect filling there between. Women become "empty signifier," the fact as a subsidiary of the sequence which called "The Second Sex" is still difficult to shake. So we should look at the female figures showed in entertainment which represented by the Spring Festival gala dialectically, establishing a rational self-worth and fully exercise the right to daily discourse in order to enhance community participation status, starting from self-salvation to accumulate strength for the balance of the sexes co-prosperity.This is not only the female groups’break demand for seeking fair survival, but also the inside rigid displacement of social progress.Entertainment products should reduce blind processing of "sick humor",pay attention to their aesthetic education function, enhance the industry’s argument grade, leading the people do not blindly worship of the ancient, do not radical innovation, to keep pace with the times and enjoy the achievement of reform and development in the way of cultural consciousness.