Lv Tiancheng's QuPin was the first literature about the drama criticism in Chinese history. It included abundant idea of drama theory. By the novel view, this paper focus on the thoughts of the aesthetics of music which have been seldom researched in the past. The thoughts of aesthetics of music such as"sensation","gout","artistic conception","reality"etc are analyzed deeply in this paper.The whole dissertation is divided into three parts: Introduction, Main Body and Conclusion.The introduction is mainly about the reason of this research, the novel view of this paper, research method, current research about it and the significance of this paper. Main Body includes four chapters:Since that all of history research should be based on the literature, we introduced the personal background of Lv Tiancheng and the summarize of QuPin in the first part of main body.In the second chapter , In order to expatiate the relationship between the music of drama and the ethic of Ming dynasty ,We analyzed the source of Lv Tiancheng's thought by total researching of Lv Tiancheng's thought and the thought history of Ming dynasty.In the third chapter, we extracted the thoughts of aesthetics of music of QuPin at first, then we compared the thought with others in the same age in order to get clear acquaintance of the Lv Tiancheng's thoughts of aesthetics of music.In the forth chapter, we discussed the difference of the thoughts of aesthetics of music between the China and India by comparing"gout theory"and"sensation theory"between China and India, which did by the example of Qupin and Wulun.In the conclusion, we summarized the thoughts of aesthetics of music. We hoped QuPin can be more deeply and more comprehensively researched by this paper, so its position and value could be prominent in the history of Chinese thoughts of aesthetics of music. |