Research On Lu Tiancheng's "Qupin"

Lv Tiancheng's " Qu Pin " is one of the important works of the Ming Dynasty literati,and it is a special comment on the writers and works.The Qufu contains a collection of many operatic works in the Song,Yuan and Ming dynasties,which has a high historical value for studying the current state of the opera.The commentary contains a lot of Lv Tiancheng's unique opera theory,and also expresses his position and position on some drama theory debates,which have a great influence on the development of opera theory.The paper is divided into the following four chapters for research:The first chapter,"Lv Tiancheng and Qu Pin " is mainly related to Lv Tiancheng's people and " Qu Pin ".Check Lv Tiancheng's life experience and his drama activities.He studied the creation of Lv Tiancheng and examined his writing scale.On the basis of knowing the world,we will give a detailed overview of the reasons and versions of the "Quan" and the evaluation criteria of the opera,and grasp the " Qu Pin " as a whole.The second chapter,"The Theory of Drama and Aesthetics: " Qu Pin " The Narrative Theory of Drama" focuses on the drama narrative theory of Lu Tiancheng's " Qu Pin ".Lv Tiancheng's drama narrative theory includes three main parts: event theory,plot theory and role theory.The event theory in "Quan" thinks that a drama is composed of a basic event.The event is real,peculiar and weathered.The plot theory thinks that many plots form a complete story,and the plot is off.The set,the detailed and appropriate rhythm;character theory that the character is an important part of the drama story,in shaping the role to distinguish the proportion of the primary and secondary roles and pay attention to the addition or deletion of the role.The third chapter,"The Music and Aesthetics: Drama theory focuses on the study of the opera lyrics in Lv Tiancheng's " Qu Pin ".Lv Tiancheng's theory of operatic lyrics includes three aspects: the concept of artistic conception,the theory of "the true color",the "when the line" and the "double beauty theory"." Qu Pin " thinks that the artistic conception of opera is to influence the human heart in the form of emotional and homosexual transition,and when setting the artistic conception,we must pay attention to the artistic conception to be logical and natural.Lv Tiancheng elaborated on the concepts of "the true color" and "when the line" in "The Qu",and also understood the relationship between the two.In the Ming Dynasty,the literary world has been arguing over talents and sounds.Lv Tiancheng believes that opera requires both literary and literary genre,as well as rhythm and "double beauty."The fourth chapter,"Inheritance and Development: The Contribution of the Musical History of the Musical Art" focuses on the inheritance and development of the Qufu.The three parts of "The Art" in the evaluation of the opera,the high attention to the effect of the performance,and the composition of the elements of the commentary system are in the same vein as the predecessors.In the diversification and new changes of the standard of opera commentary and the construction of the legality of the "literary genre","Qui" has achieved outstanding development on the basis of predecessors' theory.