The Neutralization In Opera Aesthetics Of Lv Tiancheng's Qupin

Lv Tiancheng and his works QuPin have an important place in the history of Chinese opera. It not only collects lots of opera writers and works, but also puts forward the corresponding evaluation criterion on the language, temperament, theme, plot, structure and character in the drama creating. As the core concepts of China's classical Opera aesthetics, Neutralization is reflected in all aspects of Chinese civilization, showing the unique culture aesthetic value of the Chinese. We found that the opera aesthetics aesthetic of QuPin is a comprehensive view, after the comprehensive analysis. It is reflecting the comprehensive beauty of opera aesthetics. The article is divided into three parts:First, Proposing the important role of Lv Tiancheng and QuPin in the history of dramatic theory. Mading the new issue after researching the previous studies. This part mainly elaborates the major sources and significance of the topics.Second, showing the overview of Lv Tiancheng and the overall situation of QuPin, including the writing time, style, size, version, and the evaluation criterion.Third, analyzing the process and emergence development of the aesthetic aspects, discussing its aesthetic features, and introducting it into the field of opera criticism. Exploring the beauty of reflecting Neutralization in the subject theme, plot structure, opera language, aesthetic and enlightenment.It is a bold attempt to introduce the theory into evaluation practice. And it is more challenging to analysis of specific works of drama with the theory. So the paper has deficiencies more or less in the theoretical as well as the combination of theory and practice. Urging the future scholars learn from each other to enrich the drama aesthetic theory.