A Study On Qing Shi Qing Zhu

Poetry of Qing Dynasty is the most abundant in successive dynasties,Although the personal poetry of Qing Dynaty which noted by the people of Qing Dynasty can not matching the total quantity,there exist a phenomenon that notes of personal poetry anthology and its annotators both appeared in the same age of Qing Dynasty,we called Qing Shi Qing Zhu.And the principal personal notes of the poetry who are the chosen one to change the fashion of the history of poetry,and who are the leader of poetic school,such as Qian Qianyi,Wu Weiye,Wang Shizhen,Zhu Yizun,both have anthology with notes,which spread to later generations,while in contrast,we modern people don't pay close attention to the anthology with notes created by the scholars of the Qing Dynasty.From the appearance,some of the notes,belong to the poets who are appeared in the late Ming and early Qing Dynasty,such as Wu Weiye,Zhu Yizun,Wang Shizhen,emerge at Qianlong and Jiaqing age,is a temporal logic phenomenon.While in essence,we should pay more attention to the background which notes produce in.Those notes rise in swarms at Qianjia age,belong to Wu,Zhu,Wang,inherit the excellent tradition of annotations,influenced by fashion of its times,communicate with poetic school texts,are the typical example case which worth to study intensively.First of all,our study begin with the investigation of the scale and editions of the Qing Shi Qing Zhu which at least count Fify-six kinds,as we need focused visit.In the series of notes of Wu Weiye's poetry anthology,both of the principle one's notes,like Qian Lucan,Jin Rongfan,Wu Yifeng,have a clear relation among their different editions,except for the one of Cheng Muheng's note.And the manuscript and copy one of Cheng Muheng's note,secretly spread by the transcribers,which expressed the early face of text.Then,an annotator called Yang Xuehang finished a new one on the basis of Cheng Muheng's note,which changes the face to a great extent.In addition,the firt notes of Zhu Yizun's anthology of poetry is the Jiang Haoran's note which engraved in the year of 1765 can be a fixed statement,then the note of Yang Qian is considered a comprehensive one of the Zhu Yizun's series notes,since it was engraved in the year of 1765 to 1782,and another edition of Yang Qian's notes is engraved in1915.Besides the Jiang,Yang's notes,there is a note of Sun Yincha which is criticized by later scholars because of the behavior that gouge The word “Qu Wu(Qu Dajun)”out of the carving,while the final reason why the carving is gouged directing the working copy,also gouged as the same way,proceed from Complete Library in the Four Branches of Literature.The second arrangement of our study is to the learning origin and characteristics of Qing Shi Qing Zhu.First,The times of learning.The dominant scholasticism of China in the 18 th century is the learning of noting,which finished by the ruling class and cultural elite.In the background of the learning,noting is the most obvious scholasticism which considered as a way of compiling.Most of the annotators in the Qing Dynasty can hold two field both in Confucian classics,history,and culture.While the inside of the Qing Shi Qing Zhu involved quite a few classical notes and its annotators such as Cheng Muheng,Jin Rongfan,Wu Yifeng,Jiang Haoran,Yang Qian,Sun Yincha,and so on.Second,Social environment and Cultural policy.At the coercion policy,notes and its annotators auaranteed the banned books to spread in a secretive way,at the same time,publishers who play an indispensable role in spreading the Qing Shi Qing Zhu,as enthusiasts,they put the text in right order,as later generations,they participate in the working of note,as businessman,they consider the cost of publishing.The final destination to our study is to measure the value of Qing Shi Qing Zhu.As a carrier to record information and a phenomenon of culturl,Qing Shi Qing Zhu is not only be treated as a text,but also can be connected by the Ping Dian,Shi Hua,and Xuan Ben,which appeared many typical cases in the history of note.Cheng Muheng and his note reveals Wu Weiye's inner world depends,and not limited,on the textual research to poetry;Jin Rongfan's notes keep a choosing mind to poetry,once in a while,Jin can note a distinction between different literary styles.Both Yang Qian and Jiang Haoran's notes are all significant to the explanation of Zhu Yizun's poetry in their own way.Those notes and its annotators are the typical model in the communication between note and Ping Dian,Shi Hua,and Xuan Ben.Besides,the proponents of poetry in Qing Dynasty are all elite,like Wang Mingheng,Zhao YI,who pay high tribute to Qing Shi Qing Zhu,can represent the main attitude which comes from the group of poetry scholars.Fianlly,put the major notes of Qing Shi Qing Zhu in order meet the requirements of Wen Ben Xi Du,at the same time,proofreading the major notes is always an voice of scholars.Comparatively speaking,Qing Shi Qing Zhu has superiority in linguistic habit,perception on the events happened in Qing Dynasty,empathy ability.By a logical extension of this point,the traditional learning of note are pressing to restructure a theoretical system which enlightened by the knowledge of Reading History and Book History that we should have a foothold on the text of noes,and pay more attention to the annotators who make a critical role in spreading the text of Qing Shi Qing Zhu.