| Museum exhibitions have some homogeneity with ethnography in expressing culture.The difference is that museums express and interpret more through artifacts,while ethnographic texts are more expressed by words and pictures.Here,the museum artifacts replace the text as the carrier of culture.In the form of ’ artifacts ethnography ’,the space-time environment,social history,economic culture and people ’s lifestyle of the artifacts are elaborated,and a complete set of museum image expression system is established.Through the collection,collection and orderly display of some representative objects in the Yi society of Shuixi,the extravagant incense museum shows the audience the historical information of ethnic history,language,economic form,folk customs,religious beliefs,traditional skills and other historical information from the aspects of historical memory,home construction,emotional expression and so on.It fully reflects the microcosm of the local social and cultural development,and also lets the audience realize the cultural connotation and social value behind the ethnic cultural relics in this way.Taking the Shexiang Museum as the direct research object,it promotes the further construction and development of local museums to a certain extent,which is conducive to the protection and inheritance of regional excellent traditional culture,and also hopes to provide reference for the research on the exhibition narrative of ethnic museums.The main conclusions are divided into the following parts : First of all,the Shixiang Museum focuses on the historical memory,farming and animal husbandry life,living customs and belief worship of the local Yi people through the museum narrative of ’ artifacts ethnography ’.Secondly,through the museum ’s artifacts narrative,we can realize the interaction between southwest China and the central plains in history.Each ethnic group has a cultural blending in the interaction,reflecting the same root and same source of the Chinese nation. |