Research On Narrative Discourse Of Self-channel Reading Programs

In the era of new media,the diversified development of media platforms enriches people’s way of reading.The rise of "we Channel","We media" and other Internet media video programs has brought innovative development opportunities for reading programs.In the context of the Internet,hosts have a more free and relaxed speech environment,among which,self-channel reading programs focusing on oral narration and opinion expression are favored and pursued by many audiences.Self-channel reading programs rise rapidly in many knowledge and culture programs by virtue of frugal program production costs,the personal charm of hosts and high-quality oral narrative discourse expression.In 2015,"Arabian Nights",a reading program in the literature section launched by Zhanide.com,has been broadcast to the fourth season since its launch,with an average score of 9.5 on Douban.Liang Wendao,the main speaker of the program,focuses on different themes in each episode,taking Chinese and Western classic works as the core,narrating and interpreting stories from the aspects of characters,backgrounds,plots and other aspects related to the works,and constructing the exclusive mode of narrative discourse of self-channel reading programs.The narratologist Genet clearly pointed out that "narrative discourse" is the oral or written discourse used to narrate a story.At the same time,Gennette called "narrative discourse" as a methodological study,and analyzed narrative discourse,mainly studying the relationship between "story"(narrative content)and "narrative","story"(narrative content)and "narrative discourse",and "narrative discourse" and "narrative".The rise of new narratology advocates taking oral narrative works as the research object,which is the key reason why this paper combines self-channel reading programs with narratology.This paper takes "One Thousand and One Nights",a representative of self-channel reading program,as a typical case,based on Gennette’s methodology of "narrative discourse" as the research path,and takes the narrative discourse ontology in the program as the research object,mainly from three dimensions of"narrator","narrative content" and "narrative framework".The research is based on the narrative discourse of "Who is narrating? "And" Describe what?" "And" How? The three sub-issues are discussed in detail,and the construction form and aesthetic practice of narrative discourse of self-channel reading programs are analyzed.In order to solve the problem of "How to tell good stories and transfer good cultural knowledge? This fundamental problem provides theoretical guidance and practical value.In the first chapter,it is stated that the media advantages of self-channel provide a fertile ground for the growth of reading programs.In the new era,reading programs evolve a new narrative discourse system in this media platform.In the second chapter,it is found that the "story" element is integrated into the narrative discourse focusing on knowledge transfer.Starting from the subject of narrative discourse,the narrator plays down the identity of "host" and pays attention to the presence and participation of the subject.The third chapter,starting from the narrative content,finds that the narrative theme of the self-channel reading program emphasizes more on individuality and extensiveness,and the narrative discourse highlights its openness,inclusiveness and guidance.The fourth chapter,from the perspective of the organization and construction of narrative discourse,integrates reading discourse with interpretation discourse and comment discourse,and constructs the nonlinear narrative structure of "book within book" based on intertextuality.Microscopically,the narrative discourse pays more attention to the extension of discourse space and explores the essential connotation from multiple dimensions through flexible narrative mode and exquisite discourse design.Based on this,the study believes that self-channel reading programs have formed an immersive discourse system with strong sense of dialogue,deep connotation and emphasis on guidance.This research has enriched the study of oral narration from the perspective of media development in theory,explored the deep rules of oral narration from the perspective of artistic expression in practice,and explored the deep connotation of narrative discourse of cultural programs in cultural communication.This research brings important enlightenment to narrators’ oral narration and impromptu oral expression.In the future,the narrative research of self-channel reading programs has a broad prospect.Based on the oral narration in a specific context and combined with more representative research objects,the communication mechanism and laws of the narrators’ oral narrative discourse are summarized to form a more systematic theoretical framework.Secondly,the in-depth study of the characteristics and rules of the narrator’s impromptu oral expression further promotes the development of oral communication research.