A Study On The Figure Performance Of Fujian Shouning Beilu Opera

Fujian Shouning Beilu Opera,commonly known as "Fujian Random Play" and "Hengshao Opera",is a kind of local opera formed by the integration of "random play" and local folk opera,which was introduced into Fujian from the north in the middle of the Qing Dynasty.It represents a rare opera with a history of more than 300 years,in which the sound cavity of "random bomb" spreads in remote areas and retains the state of localization.Fujian Shouning Beilu Opera was listed in the first batch of national intangible cultural heritage list approved by the State Council in 2006,and has been effectively protected by "intangible heritage" departments at all levels and Shouning county party committee and county government.As an indispensable part of Fujian Shouning Beilu Opera,figure performance plays an important role in the interpretation of actors’ roles,the promotion of the plot of the script,the improvement of stage performance and the strengthening of art forms.Taking the Shouning Beilu Opera Posture Performance as the research object,this paper explored how the figure performance is formed,developed and applied in the development of the troupe,the inheritance of the role system,the stylized training of actors and the stage repertoire performance from the perspective of dance.At the same time,this paper explored how to take the historical development of Shouning Beilu Opera as the performance premise,the role of Xingdang as the performance system,the troupe actors as the inheritance carrier and the performance main body,and the repertoire performance as the performance core.continue to promote the coordinated development of various links and fields of Shouning Beilu Opera,so as to deeply cultivate one side and serve the development of local literature and art.Through the research methods of literature,interview,field investigation,film and television materials,this paper combed and analyzed the historical origin,role inheritance and troupe actor inheritance of the Beilu Opera,summarized the historical experience of the inheritance and development route of the Beilu Opera,and excavated the inheritance and innovation of the body performance form.This paper collated and summarized the traditional repertoire and the existing repertoire of the Beilu Opera,so that its cultural heritage can be traced,so as to explore and excavate the body performance characteristics in the repertoire of each period,continue to inherit and win vitality in the innovation.This paper classified,combed,recorded and analyzed the performance application of the Beilu Opera,understanded more clearly the inheritance path of the performing arts of the Beilu Opera,and compiled the skills handed down from generation to generation into writings.It provided a more systematic theoretical support and literature demonstration of "non-heritage" inheritance and protection for the promotion of Beilu Opera,the standardization of body movement form,the training of professionals and the improvement of the performance ability of the whole Beilu Opera.The article is carried out through four parts: I.the origin and repertoire of Beilu Opera.II.General situation of roles and troupe actors in the Beilu Theatre Company.III.Stylized training of posture performance subjects.IV.The posture application of Repertoire combined with stylized performance.From this,we can draw the following four conclusions: the existence of the Beilu Opera connects the life of the local people;the development of the Beilu Opera is the result of keeping pace with the times;the performance of the Beilu Opera pays attention to the actor’s posture training;the performance characteristics of the Beilu Opera come from the script industry.