On The Inheritance And Innovation Of Chinese Opera Figure Painting

China opera has a long history, originated from the primitive society people work dance rhythm, after Xia and Shang and Zhou, Qin, Han, Tang, song, yuan, Ming and Qing and modern opera, with the development of Chinese cultural background, opera culture is people living in a popular form of entertainment, Chinese traditional painting form with a brush dipped in water ink and color painting on silk or paper, this kind of painting is called "China painting", referred to as the "traditional Chinese painting". Tools and materials writing brush, ink, paint painting, paper, silk, the subject matter can be divided into figures, landscapes, flowers and birds, techniques can be divided into fine brushwork and freehand brushwork. Chinese painting in the content and artistic creation, reflects the ancients of the natural, social and related to the political, philosophical, religious, moral, literary and other aspects of the understanding. The opera opera figure painting as a theme, with China painting style- "pen" and "ink" technique as a means to Chinese Aesthetics-- "vivid" and "virtual" and "real", "have" and "no" for creative China draw another form.Modern Chinese opera figure painting has been widely spread, by the majority of the audience favorite, along with the western aesthetic ideas of the input, to realistic for the purpose of opera figure painting has been unable to meet the needs of modern artists. Lin Fengmian, Ye Qianyu, Guan Liang, Gao made on behalf of the painters of the opera theme, draw nourishment from the western form of beauty and Chinese traditional painting and folk art, the opera figure painting of innovation improvement, make bold exploration in the form of painting, created a large number to find everything fresh and new Opera figure painting and the painting works of opera figure painting reached a new face of hitherto unknown.With the rapid development of modern society, the performance of Chinese opera has been unable to meet the needs of people’s entertainment, drama gradually decline, precipitation for thousands of years of Chinese opera how to re play the traditional style, which is not only the need to retain the traditional opera culture, more important is to improve the national pride and national self-confidence needs, through the creation of opera characters, so that more viewers understand Chinese opera, like opera, identity, and enhance national pride. In the Chinese culture prosperous All flowers bloom together. today "," foreign, contention of a hundred schools of thought "the guiding ideology, to make the past serve the present" "vivid" as the core, the study of Western anatomy, perspective, the proportion of outstanding culture, in the form of beauty as a means to create worthy of the era of Chinese opera figure painting works, is dedicated to the task and responsibility opera figure painting artists.