The Research On Ritual Construction Of Cultural Documentary Based On The Ritualistic View

In the new media era where subculture prevails,the preservation and return of excellent traditional culture has set off an upsurge under the guidance of national cultural policies,and has also urged the awakening of mass cultural self-confidence.At the same time,it also makes the popular culture,which is famous for entertainment,flatness and iconoclastic,infiltrate the value observation of elite culture.Documentary,as a unique visual art form characterized by an objective attitude,authentic record and comprehensive interpretation,truly presents historical and cultural content,transmits the traditional culture and national spirit behind Chinese history through history,people and events,penetrates people’s hearts with the power of culture,and demonstrates a strong cultural standard.This paper starts from James Carey’s theory of "communication ritual view",takes China’s excellent cultural documentaries as the research text,and combines the new era Marxist literary and art view’s requirements for cultural development and the theories of collective memory to deeply analyze the "ritualized" characteristics of cultural documentaries in content creation,audio-visual language,communication mode and other aspects.And the important value of these "ritual landscapes" in the construction and dissemination of culture;At the same time,it puts forward new thinking on the innovation breakthrough and high-quality development of cultural documentary under the environment of pan-entertainment media.If cultural documentary wants to get rid of the fixed mode of single model telling history and one-way cultural indoctrination in the past,and meet the new needs of the current audience for mass entertainment,cultural consumption and historical perception with a new look,it must make comprehensive innovation from multiple perspectives,such as the selection of themes,the enrichment of narrative techniques and the mining of cultural connotations.Promote the documentary to penetrate into the cultural market in an all-round way with the new media communication mode,and strengthen the power of ritualization with the new interactive two-way communication means;In order to improve the audience’s aesthetic level and enhance cultural learning,we should further consider how cultural documentary can better exert the power of literature and art in promoting the image construction of a cultural power and a cultural power."At the same time,this paper provides a certain theoretical support for the creation of my graduation work" Painting Peony ",and guides the direction in practice and innovation." This work takes the peony culture of Luoyang as the background,and through the concrete material subject of "Pingle peony painting",it aims to realize the in-depth promotion of this culture through the means of ritualized construction,and achieve the purpose of becoming a cultural and artistic content shared by the whole people.Therefore,the theoretical research of this paper has a strong academic guiding value for the practice of this work;At the same time,the work also validates the applicability and feasibility of the theoretical research of the paper to a certain extent.In the end,the paper also summarizes the two,thinking about the shortcomings of the work and reflecting on the content.