The Study Of Liang Hong’s Literary Concept

Literary view is the overall understanding of literature,including the writer’s rational grasp of the nature,function,rule of literature.Intellectuals crossing borders for academic criticism and literary creation is a noteworthy literary phe nomenon at present.In the critical practice,creative talk,etc.can reflect its ex plicit literary view,in the creative practice that works can reflect its invisible l iterary view,the two reflect each other,forming the writer’s unique literary con cept.Liang Hong,as a scholar studying local literature,making literary creatio n across the boundary,which is typical in contemporary intellectual writing.Th roughout the research results on Liang Hong,it can be found that the research on literary view is the weak link.Therefore,it is necessary to study Liang Ho ng’s criticism and creation from the perspective of literary perspective.The thesis examines Liang Hong’s unique conception of literature through her reflections on the nature as well as the function of literature and the concrete manifestations in her creative practice,combined with existing research results.At the same time,it places Liang Hong’s critical philosophy and creative experience in the contemporary Chinese context and analyzes the practical significance of Liang Hong’s literary outlook.The first chapter analyzes the specific connotation of Liang Hong’s literary view from three aspects: "nostalgia as a method" "emphasis on individual experience" and "public imagination of literature".Firstly,Liang Hong takes nostalgia as a literary concept of method,which is conducive to the construction of spiritual home in modern development.Secondly,Liang Hong focuses on the daily experience of individuals,paying attention to the survival plight of "nameless" women,village children and the elderly,and completes the dialogue between individual experience and historical experience.Finally,based on nostalgia and profound thinking about individual experiences,Liang Hong advocates the return of literature to public space and the construction of "poetic justice".The second chapter discusses the formation reasons of Liang Hong’s literary view from three aspects: personal growth experience,regional culture and the influence of literary tradition.First of all,the special rural parents’ love and growth experience influenced Liang Hong,whose identity as a peasant’s daughter made her consciously concerned about the fate of rural women,and she constantly highlighted the subjective consciousness of women in her criticism and creation.Secondly,the natural environment and humanistic traditions of Henan make Liang Hong a local writer rich in local color.Finally,writers such as Lu Xun,Milan Kundera and Calvino influenced Liang Hong’s thinking on the question of the nature of literature.The third chapter discusses the practical significance of Liang Hong’s view of literature from three aspects: "reshaping the spirit of self" "reconstructing gender experience" and "developing intellectual writing".For Liang Hong herself,crossborder writing has completed her own spiritual reinvention.Liang Hong,as a peasant’s daughter,has reconstructed the map of gender experience by focusing on the plight of women in her criticism and writing.Liang Hong’s crossborder writing has constructed a healthy interaction between criticism and creation,and her creative practice of returning to the space of public discourse has opened up a new direction for contemporary intellectual writing.