Research On Liang Hong's Non-fiction Writin

With the rapid development of modernization,China’s modern civilization and local civilization have a series of collisions.From 2010 to 2021,Liang Hong has been working hard for ten years.He entered Liangzhuang with a distinctive intervention and wrote "Liangzhuang Trilogy" in the way of non-fiction writing,which provides a side for analyzing contemporary rural areas and enriching non-fiction writing.Centering on the "Liangzhuang Trilogy",this paper combines multiple dimensions to explain the unique value and textual significance of Liang Hong’s non-fiction writing,to show the crisis of Liangzhuang in the development of urban and rural areas,to describe the spiritual dilemma and personality alienation of "Liangzhuang people" and "people out of Liangzhuang",and to criticize the social reality behind the great changes in the countryside.This paper is divided into four chapters.The first chapter starts with the analysis and interpretation of the text of the "Liangzhuang Trilogy",makes an overall review of the "Liangzhuang Trilogy",explores the characteristics and internal relations between the works,and makes a deep interpretation and excavation of the "Liangzhuang Trilogy".Spanning ten years,after China in Liangzhuang and the Story of Leaving Liangzhuang,Liang Hong revisited his native land and paid more attention to the observation of individuals in Ten Years of Liangzhuang.He also visited young people who fled their villages and migrant workers,recorded the turning points of The Times,explored the changes of personnel in Liangzhuang in ten years,and constructed a more complete and tortuous history of rural changes.The second chapter mainly starts with the narrative strategy and mode of "Liangzhuang Trilogy",through the narrative mode of "others" and "witnesses",emphasizes the writer’s "presence" in the text,explores the narrative mode and characteristics of non-fiction writing,and focuses on the form of non-fiction text,narrative perspective and the way of processing materials.Make "Homecoming" narrative plot through the form of intertext more exquisite.The third chapter mainly expounds the spiritual dimension of Liang Hong’s "non-fiction literature".Liang Hong practices the writing of his hometown,corrects some tendencies of the current low-level literary creation,and constructs a diversified pattern of writing on non-fiction themes with the writer’s sense of social responsibility and professional spirit of restoring facts,especially the in-depth exploration of China’s "rural reform" and "rural revitalization" era propositions.The fourth chapter combs and integrates the literary value and sociological significance of Liang Hong’s non-fiction works.By analyzing Liang Hong’s "Liangzhuang Trilogy" from the perspective of multidisciplinary integration,Liangzhuang becomes a "section" of contemporary village,analyzing and examining various circumstances of "local civilization" in modern society,trying to open up the boundary of literature and find new possibilities for establishing the status of non-fiction literature in the history of contemporary literature.