The Research Of Liang Hong’s Literary Creation

In 2010,Liang Hong became known as a representative writer of nonfiction literature in the new century by his "Liang Zhuang" series.Later,she continued to publish works including The Holy Family,The Light of Liang Guangzheng,The Moments of history And Me,as well as Four Images,all of which form a contrasting relationship.In this paper,through the method of close reading of the text,Liang Hong’s whole series of works are studied in view of her multiple identities.Meanwhile,the intertextuality characteristics in her works are summarized,the narrative art is analyzed,and the writer’s creation concept is discussed.In the end the significance and limitations of Liang Hong’s works are summarized.This paper consists of introduction,four chapters of main body and conclusion.The first chapter begins with a brief analysis of the "non fiction" literature in the new century.Next,the author states that Liang Hong is considered as the most important writer of the nonfiction literature based on People’s Literature.In the second chapter,the author divides Liang Hong’s works into two categories: self textual intertextuality and other textual intertextuality.On the basis of the content,the characters,the plot and the identity of critics in the works are discussed.Furthermore,the inclusive characteristics of "non fiction" series,novels and critical articles are analyzed,highlighting the features and connotation in Liang Hong’ s creation.Meanwhile,based upon her intertextuality style in writing,Liang Hong’s works are compared with some other Chinese and foreign classical literature as well as the realistic "non fictional" literature in the new century.The third chapter is mainly a discussion about the narrative art in Liang Hong’s works.From the aspects of narrative mode,narrative strategies and narrative styles,this chapter analyzes and discusses the unique form of expression in Liang Hong’s works.The fourth chapter begins with the significance and limitations of Liang Hong’s creation,and then discusses the epochal features and uniqueness in Liang Hong’s works.Her attempt to tell the Chinese rural story in an unusual way is valued,whereas her limitations are also pointed out,thus providing a useful reference for writers in their future writing.The conclusion part affirms the positive significance of Liang Hong’s creation on the basis of summing up the paper.In Liang’s works there are not only profound humanistic care but also traces of self repetition and imitation.Compared with other writers in the 1970 s,Liang Hong has her own unique style.But in terms of her own creation,the speculative nature and depth of her writing are conducive to the reality of documentary literature.In the contrast of "Liang Zhuang",her novels seem to be more thoughtful and less powerful.