Analyzing The Construction Strategy Of Cultural Memory In Cultural And Historical Artifact Documentary

Through cultural documentaries themed on cultural relics,ancient buildings,museums,and other cultural heritage,they display historical symbols with cultural significance to the audience,which has an important impact on awakening the cultural memory of the audience.An important cultural construction project,"The National Pulse-100 Years of the National Museum of China",was jointly produced by CCTV and the National Museum of China,lasting more than two years.The documentary,themed on the development of the National Museum of China over the past 100 years,explores history in depth.By introducing the construction process,interviewing relevant people,and playing historical images,the audience can experience it personally,thereby gaining a deeper understanding of the National Museum of China.This article will be divided into four chapters to study the construction of cultural memory in cultural and museum documentaries,taking "The National Context-100 Years of China" as an example.The first chapter analyzes the theoretical origin and definition of cultural and museum documentaries,as well as the theoretical connotation of cultural memory.This article explores the connotation of Habwach’s collective memory theory to the cultural memory theory of the Asmans,and analyzes the cultural memory theory of the Asmans in detail.From the comparative study of cultural memory and communicative memory,it is understood that cultural memory is a kind of fundamental memory.The second chapter focuses on the various elements that construct cultural memory in "The National Context-100 Years of the National Museum of China",including events,characters,and environments.In terms of events,documentary films evoke the common memory of the audience through emotional resonance,allowing the audience to more deeply experience the development process of the museum.In terms of characters,documentary films focus on the construction of personalized character images,allowing the audience to better understand the thoughts and behaviors of characters in relevant contexts.In terms of environment,the documentary tries to restore the modern and modern environment,so that the audience can better experience the style and cultural background of the museum.The third chapter mainly studies the means of constructing cultural memory in "The National Vessel of China National Museum",including storytelling and true reproduction.Storytelling is to deepen the audience’s memory and understanding of relevant cultures through suspense,rhythm aesthetics,and detail reproduction."Real reproduction" refers to the interactive symbiosis of history and reality,and the reproduction of memory scenes through historical data and situational reproduction.These means not only enable viewers to understand and experience culture more deeply,but also stimulate their emotional experience and resonance with culture,thereby promoting cultural protection and inheritance.The fourth chapter mainly studies the construction of cultural memory through different perspectives in "The National Vessel of China: The National Museum of China for 100 Years",which enhances the reconstruction and expression effect,including the large perspective of objective records and the small perspective.Objective records create collective identity through narrating museum development stories and connecting history with reality through narratives.Seeing the big from the small is to enhance the reconstruction and expression effect of cultural memory by describing the internal perspective of the individual life trajectory and the external perspective that can display and fill the inner world of the character.The fifth chapter imagines the future development prospects of cultural memory construction in cultural and museum documentaries.The discussion will focus on the selection and optimization of storage memory in traditional culture,innovative expression methods,and contemporary interpretation of cultural memory.In order to study the construction strategy of cultural and museum documentaries,this article takes cultural memory as the foundation and "The National Context-100 Years of the National Museum of China" as the carrier to find the "convergence point" between the national museum and collective memory.The construction of cultural memory in "The National Vessel of China-100 Years of National Museum of China" not only displays China’s rich historical relics,but also spreads excellent traditional culture.Cultural and museum documentaries enhance memory through ritual presentation,ultimately integrating cultural memory into emotions,forming the meaning and value of cultural memory.