The Application Of Decorative Painting Language Of Klimt And Schiller In Still Life

End of the 19 th century,Europe’s industrial revolution,large-scale industrialized production,technology and art separation by social division of labor,leading to a fall in products manufactured,severe taste,prompting some socially responsible artist’s serious discontent,after Britain’s "arts and crafts movement","new art movement" came into being in Europe,has produced many genre,The Viennese separatists were one of them.The Viennese secession formed in this artistic revolution had similar ideas with Art Nouveau,that is,opposing the separation of the relationship between practical art and pure art,drawing inspiration from nature,and inheriting historical styles.But at the same time secession has its unique artistic principle,they in the "art is the art of The Times,is a free" as the slogan,claims and the traditional academic art of the phase separation,advocated to create for the society to provide a more comfortable life and aesthetic works of art,both advocate the establishment of the personal painting style,and the combination of art and industrial life would not be excluded.Its far-reaching influence in the field of painting,the most intuitive performance for the picture in the bright decorative.Austrian painters Gustav Klimt and Egon Schiller,as prominent representatives of the Vienna Secession in the field of painting,provided inspiration and sources for the paintings of other countries at that time and later generations.Under the background of the new era,learning the decorative painting language in the works of these two excellent painters and applying it to contemporary decorative painting plays a positive role in stimulating the new vitality of decorative style and enriching the artistic language of decorative painting discipline.This thesis is a study on the use of decorative painting language of Klimt and Schiller in still life.The basic structure of this paper: The first chapter is the introduction,divided into research background,research status,research methods,innovation,research purposes.The focus is on the analysis of the status quo at home and abroad,through the analysis to understand whether the author’s topic is valuable,and extract innovative points.The second chapter is Klimt and Schiller’s decorative painting language,through the analysis of their works to clarify the decorative in their works reflected in this writing more inclined to the author’s reference.The third chapter is Klimt and Schiller painting decorative language in the use of still life theme,combined with the author’s own creative experience and personal understanding.The fourth chapter is a detailed introduction of the whole process of the author’s work creation,and combined with the two masters to learn from the place to self-analysis.Through in-depth study of the object painting,drawing on the decorative expression of its painting language,Into the personal decorative still life painting creation,in order to arouse people to pay attention to the things around,love the most ordinary life of every thing,so as to love life,so that people through the painting away from confusion and anxiety,return to peace,enhance the confidence in life.